Morning Quotes - Page 188

I was with Brian De Palma at the time, and he said he wrote the role specifically for me. I don't know what that says about the way he saw me, since the role was of a castrating killer. Brian came one morning to the house, said "Here's your Christmas present." He wrote the character to have a Swedish accent, but since I couldn't pull that off, he switched it to French-Canadian. It was such a romantic time in my life. Everyone was young and passionate and convinced they were going to change film forever.

I want to get totally rid of class distinction. As someone put it one of the papers this morning: Marks and Spencer have triumphed over Karl Marx and Engels.

Try to have a good day today, wherever you are, whatever you do, whoever is near, if no one is near. Try to be happy, because you may not see tomorrow. There is someone this morning, who didn't wake up, who will never see this day. Try to feel lucky that this is not you.

I think I started out okay but with AIDS came a great deal of silence about gayness and this period of lose and morning, but at the same time a kind of feeling like you wanted to get back into the closet because being gay was such a terrible thing at that point.

I always do casting for every role, even if it's just one sentence. I like to work with theater actors because they're used to a process. I think filmmaking sometimes can become so stiff. Sometimes I have the feeling that people come together praying in the morning that, "Let's just shoot something, no matter what! Let's just finish this day, no matter what we will tape!"

You should know that what wakes me up at night, what gets me running fast in the morning, and, frankly, what prompts me to lose any semblance of my habitual reserve is the conviction that work doesn't have to be this grim. We can do better.

When you have trouble getting out of bed in the morning, remember that your defining characteristic-what defines a human being-is to work with others.

In the morning, when you are sluggish about getting up, let this thought be present: 'I am rising to a man's work.'

The truth is that every morning war is declared afresh. And the men who wish to continue it are as guilty as the men who began it, more guilty perhaps, for the latter perhaps did not foresee all its horrors.

Any comic can get on the radio show and be funny. You can get that on any morning radio show or afternoon radio show. There are plenty of people who do that. It's not a difficult format, to sit around with two or three comics and be funny.

I go to the gym every morning for a couple of hours, then I come to work, whatever is on the plate for the day, I do it. I don't ask many questions, I go where I am told to.

Making Homeland series is not improvisational comedy theater, but it is improvisation. We might get a call that morning, while we're doing something, and the change goes in that is something that just happened an hour ago, in the world.

I thought about ancient times when we didn't have electric light. People were slaves to the ebb and the flow of the light cycle. Good Morning and Good Night represents one light cycle.

That morning was when I first began to reappraise the 'white man.' It was when I first began to perceive that 'white man,' as commonly used, means complexion only secondarily; primarily it described attitudes and actions.

Every morning when I wake up, now, I regard it as having another borrowed day.

I was taught that to create anything you had to believe in failure, simply because you had to be prepared to go through an idea without any fear. Failure, you learned, as I did in art school, to be a wonderful thing. It allowed you to get up in the morning and take the pillow off your head.

The particular skill that allows you to talk your way out of a murder rap, or convince your professor to move you from the morning to the afternoon section, is what the psychologist Robert Sternberg calls "practical intelligence." To Sternberg, practical intelligence includes things like "knowing what to say to whom, knowing when to say it, and knowing how to say it for for maximum effect.

Every year, like a good Catholic, I wait for Christmas. Putting up the lights, decorating the tree, making sweets and then unwrapping gifts on Christmas morning... its a tradition my family has followed since I was very little.

She had a short fuse this morning, because it was a day that ended with y, you see.

Your hair is all funky in the morning.

There is a little narrowing to his eyes at the end of it that makes me understand that this is a test. Whether or not I'm brave enough to go into the stall with Corr after yesterday morning, after I've had time to think about what happened. The thought of it makes my pulse trip. The question is not if I trust Corr. The question is if I trust Sean.

Good morning. You have a moment?" It's clever the way she says it, not as a question. I would have to contradict her in order to have my moment back. I make a note to use the method in the future.

A play is much easier to maintain your personal life with because if you're rehearsing, you're working like from 11 to 6 or 11 to 5 and you get to have your whole morning and your whole evening. When you're doing the play, you have all day.

If you woke up each morning, and immediately dwelt on your ills, what sort of a day could you look forward to?

I thought it must be desperate to be old. To wake up in the morning and remember that you were ancient - and so behave that way. I thought old people were full of aches and pains and horrible illnesses.