Moving Quotes - Page 352

Being at home with my family always inspires me. I find it hard to be inspired when I'm on the move. I'm not creative when I'm jet-lagged and sleeping in strange hotels.

The move towards the extension of personhood to children is already underway, and is utterly, completely and totally unstoppable!

Each of us can make a great difference in the lives of other people, particularly as we move along the Success Process ourselves growing in strength, gaining experience and knowledge.

To get where we want to go in life, we have to keep at it. We have to create a vision, make choices based on what moves us most swiftly toward our goals, and go after them with determination and single-mindedness.

I hate movies that take a long time to shoot or directors that labor over every shot or do excessive amounts of coverage and excessive takes and don't keep things moving or constantly cutting.

Year after year, we have had to explain from mid-year onwards why the global growth rate has been lower than predicted as little as two quarters back. This pattern of disappointment and downward revision sets up the first, and the basic, challenge on the list of issues policymakers face in moving ahead: restoring growth, if that is possible.

You see, it took me so long, it was such a struggle, to move myself out of musicals - because I had had a success, nobody wanted to allow me to direct a non-musical picture. It was so hard. And the only way I could get it going was to become a producer myself.

I'm used to doing comic books, where every month there's a new comic book! I find that the movie business is not quite the same. It doesn't move quite as fast.

I've written so many things over the years that I don't want to go back to being just a scriptwriter. I'm in what I consider to be the enviable position of all I have to do is come up with the idea and write an outline that makes it seem like it's a viable idea that will interest people, and then other people write the scripts -- and I become the executive producer or the producer, depending on how much involvement I have, and I get a creative credit and then move on to the next project.

We all put obstacles in our own path toward personal style, myself included. If we understood why we constructed these practical and emotional obstacles, we might move beyond it to healthier, happier perceptions of ourselves and, ideally, a better sense of self-esteem.

A simple compliment goes a long way - for a guy to just come over and say, 'You have great hair,' or, 'I really like your dress,' and then just smile and walk away, that's a great move, because he's sort of putting himself out there by doing that, but it won't lead to any embarrassment if the girl isn't interested.

Everyone can of course take their own meaning, that's the beauty of music and lyrics, but to me it seems like everything is about being attached to the past and being afraid of moving forward, afraid of that big dive or step and losing what was.

Music has always moved me really deeply, and it's always been more about that than about the desire to rebel or annoy people (although, I've had my moments of that as well). I think it was just years of maybe moving slightly away from it but always coming back to it as the thing that I'm best at.

When every action of yours is preceded by witnessing, then every move you make in this world becomes perfect and significant.

My plan is if you come to the shows in the first run of dates the versions you'll hear live are quite close to the record. But because I can set this up identically afterwards in a hotel room I can actually work when I'm on the move. The aim is that all the pieces will have had substantial remixes and different parts added and subtracted.

There's no publicist, no advertisements, and no one's pushing us. If people are buying our records, it's because big brothers and sisters or friends at school told them they should check us out or gave them a record. It feels like a more heartfelt way for things to move around.

It's unclear who moves first. We're in each other's arms, lips locked, melded, hotly fused. Our hands drag over each other, reacquainting, remembering, almost as if we're both verifying the other one is real flesh and blood.

There's so many moving pieces, but to be as public as I've become and to be at the front and take the brunt of anything that happens is a huge responsibility, but also something that takes some time to step into and that has been really challenging.

Housing in New York seemed to fit Norman Lear. In addition, his shows confronted all kinds of social issues - racial separation and prejudice being foremost among them. The Evans of Good Times were the first black family to be the focus of a primetime American TV show. A lot of the people we came across in filming were familiar with the role Norman played in catalyzing important national conversations about race. They seemed grateful to him for trying to move the needle.

More actors in action movies should be gangly because that way it's believable when they move through tight spaces.

I like my small camper. I just do not want to return to a fixed home. I cannot stand being in one place. I must keep moving.

I've just done a movie - Albino Alligator - with Viggo Mortensen, who's an actor I idolize. He influenced me in a way that has helped me move toward getting lead parts instead of supporting parts, merely through his presence. So now I tell everyone, as a joke, that I'm entering my Viggo Mortensen phase.

were you sleeping?" He chuckles. "Not by a long shot. I was just tryin' to convince myself not to make a move on you.

The past is not a peaceful landscape lying there behind me, a country in which I can stroll wherever I please, and will gradually show me all its secret hills and dales. As I was moving forward, so it was crumbling. Most of the wreckage that can be seen is colourless, distorted, frozen: its meaning escapes me... all that's left is a skeleton. I shall never find my plans again, my hopes and fears - I shall not find myself.

By the time I got to college I had stopped reading books because I wanted to "be cool" and started reading books simply because I wanted to read them. I discovered heroes like Roth, King, Dahl, Shirley Jackson, Patricia Highsmith, TC Boyle, Douglas Adams, Neil Gaiman, David Sedaris. These people weren't trying to "rebel against the literary establishment." They were trying to write great, high-quality books that were as entertaining and moving as possible.