Moving Quotes - Page 350

It is possible in theory and I think true in practice that centralization could have been the optimal solution at the beginning of the computer era and now, but not in between. And it may change back again with some other technological development. Some things move in a straight line. Others move like a pendulum.

I think the pop chart today is entirely market-driven. And it has nothing to do with public taste. And it has nothing to do with moving music forward. It's simply a market chart.

Hold on to your friends. Resist - or move on Be mad, be rash Smoke and explode Sell all of your clothes Just bear in mind: There just might come a time When you need some friends

Marijuana does not lead to harder drugs. People will get bored of the pot and move on down the line to stronger drugs to get the high they need. They either stay with pot or quit.

It's pretty clear in how things are moving in empirically supported treatments that we're going to be speaking to the culture in a different voice. It's going to have some echoes of some of the deeper clinical and spiritual and religious traditions that had wisdom in it. If we're not going to get there through religious means and things of that kind, we're going to have to find a way to put it in the culture in a different way, because we need something right now other than yet another cable shoutcast or yet another Internet Web page showing us the cellulite on the actress's rear end.

There is a middle path between indulgence and suppression, but the culture has overwhelmed that in the cacophony that has been created in the modern world and the commercial encouragement of avoidance and indulgence on the one hand, or suppression and "just do it," treating yourself as an object on the other. We've got to find a way that's more compassionate, softer, that allows us to move forward towards the kind of lives that we really want to live.

Coaching is my way of helping aspiring and professional writers get the kind of help and guidance that it took me years to piece together. I do workshops and coach people one on one. It's really fun and I'm happy that I can support artists who are looking to move ahead in their work and career.

The tools are real. The viewer is real, you, the artist, is real and a part of everything you paint. You connect yourself to the viewer by sharing something that is inside of you that connects with something inside of him. All you have as your guide is that you know what moves you. All you have to do it with is a brush, some chemical and canvas, and technique.

I try to outline. I'm a lazy outliner. I will put the points down of each chapter or series of chapters, but it always changes. For me it's a place of evolution. I don't really know who the characters are. I don't really know what the story is. I outline and that really just gets me moving. It's like I'm drawing up fake maps, but they turn out to be correct.

Separate yourself from your ideas and your work and see them as something separate from yourself, you’ll feel you truly have the right to be wrong. If an idea fails, why not let it be the idea’s fault instead of your own? Allow your ideas to fail without turning them into personal defeat. When you fail you discover your boundaries. You map out the edges of your capabilities. And this allows you to eventually move beyond them. Being wrong eventually leads to being right. And even where it doesn’t, it’s still a more interesting path than being nothing.

In my opening seconds, I would say, "It's great to be here," then move to several other spots on the stage and say, "No, it's great to be here!" I would move again: "No, it's great to be here!

I loved doing 'Pennies from Heaven.' Because you have to understand that I'd been doing comedy for 15 to 20 years, and suddenly along came the opportunity to do this beautiful film. It was so emotional to me. I loved it. I don't think it was a good career move, but I have no regrets about doing it.

Titled players appeared to be trotting out game after game in which the same old hoary opening sequences, memorized out to fifteen, twenty, or even more moves, were repeated endlessly. True novelties were becoming scarcer, and sometimes these 'opening' novelties didn't appear until well into the middlegame. (A master-level friend once proudly showed me a novelty he'd discovered at move twenty-seven of a very well-trodden chess opening, and it's said that even as far back as the 1950's Mikhail Botvinnik had some openings memorised past the thirtieth move).

So I think there's going to be a constituent backlash against this thing soon, as they see it moving in that direction...Whether they can pass something before the American public wakes up, I don't know.

Kariakin-Shirov saw another theoretical battle in the 6...Bc5 Spanish, which has been one of the opening tabiyas of the event. [...] The most remarkable feature of the game, and a testament to the depth of Kariakin's preparation, is that when the draw was agreed at move 39, his clock showed 1.52 remaining, some twelve minutes more than he started the game with!

I like many Americans are frustrated by a lot of things in the world and I would like to be a part of the dialogue moving forward to make this a better world for everyone.

All companies of any size have to continue to push to make sure you get the right leaders, the right team, the right people to be fast acting, and fast moving in the marketplace. We've got great leaders, and we continue to attract and promote great new leaders.

Maybe I'm an emblem of an old era, and I have to move on.

Throughout our history, Microsoft has won by making big, bold bets. I believe that now is not the time to scale back the scope of our ambition or the scale of our investment. While our opportunities are greater than ever, we also face new competitors, faster-moving markets and new customer demands.

Explore. Train your conscious mind and your subconscious mind to start working for you by getting those great powers to move in a new direction. Start creating your own good luck today.

I want to view my own efforts to write a novel as a function of my own artistic aspirations rather than a good career move. And I need to learn how to commit to characters for a longer time, to confront the limits of my own capacities for attention and compassion. That's what a writing career does, in the best instance: it allows you to keep after what you can't do.

[ This Is Us] is a character-driven dramedy, in which you will laugh. You may have to pull out your tissue box from time-to-time. But it will sort of reaffirm your desire to move forward in life. It's a very hopeful show.

So, instead of panicking, I closed my eyes and spent the twenty minutes' drive with Edward. I imagined that I had stayed at the airport to meet Edward. I visualized how I would stand on my toes, the sooner to see his face. How quickly, how gracefully he would move through the crowds of people separating us. And then I would run to close those last few feet between us - reckless as always - and I would be in his marble arms, finally safe.

No mistakes, I'd promised myself that i would make no mistakes, no matter how minimal they seemed. if i held her hand, i would only want more - another insignificant touch, another move closer to her. i could feel that. a new kind of desire was growing in me, working to override my self-control. no mistakes.

The worst part is that I saw the whole thing -- our whole life. And I want it bad, Jake, I want it all. I want to stay right here and never move. I want to love you and make you happy. And I can't, and it's killing me.