Moving Quotes - Page 377

After The Bomb we developed a fairly good system for moving food around and have avoided the kind of massive famines that attract the media. Although of course we've had a fair number of them, particularly in Africa, since The Bomb was written. But we have had a steady level of attrition of malnutrition and malnutrition-related disease. Probably something on the order of 5 to 10 million people starve to death each year, but they're spread out; they're not dramatic news events.

Im just trying to be positive. I like the guys (Im) around. Even though were not at the record Id like to be, even after a loss, guys are mad, but then we have fun and you move on. They look up to me. Ive been around eight years. A lot of these guys were in junior high or high school when I came into the NBA. I see how much of an influence I am off the court. I try to be careful how I approach things on and off the court, because I know these guys are watching.

At one level it's clear that the dam has broken. There's an inevitable move to use the Internet as a distribution medium and that's not going to stop.

If you get moving, you get motivated. Even random movement will motivate you.

People think once you get famous and rich you move out of the public sphere and you have nothing left to write about. I've heard that - Bruce Springsteen was this real street boy, now he's got this big house. How does that compute? If you don't look at the material side of someone's life, if you look at more the emotional side, there's always a wealth of stuff to write about.

I would have liked the Beatles never to have broken up. I wanted to get us back on the road doing small places, then move up to our previous form and then go and play. Just make music, and whatever else there was would be secondary.

I think that selling rights is a bad move commercially, not just morally. It cheapens the songs. When people come to my concerts, they often hold up candles when we do "Let It Be." I don't think they'd do that anymore if the song suddenly became part of an Oldsmobile ad.

If two or three hundred years from now an earthbound civilization is dying ... and they look back at the opportunity that we have here at the close of the twentieth century to move out into space and they see that we didn't do anything with it ... I don't want history to judge us on having blown this opportunity, and I think history will judge us on this more than on any other issue.

[Nikola Tesla] was thinking of parts actually moving, like exchanging positions in space through time. This would go over here, then that would go over there, and then something else would happen.

The beholder's eye, which moves like an animal grazing, follows paths prepared for it in the picture.

After moving to Los Angeles in the early '90s, I started looking into "music for picture" more seriously and in broader scope. My collaboration as a programmer and arranger with Graeme Revell exposed me for the first time to the full spectrum of film music, including the hectic demands of orchestral scoring and the power politics surrounding the finalization of any score for a major motion picture in Hollywood.

Wrong' training can be a very innocent thing. Consider a father who allows his child to read good books. That child may soon cease to watch television or go to the movies, nor will he eventually read Book-of-the-Month Club selections, because they are ludicrous and dull. As a young man, then, he will effectually be excluded from all of Madison Avenue and Hollywood and most of publishing, because what moves him or what he creates is quite irrelevant to what is going on: it is too fine. His father has brought him up as a dodo.

I move in a society so devoid of ordinary reality that I am continually stopping to teach good sense, to give support, to help out, as a young gangster might help an old lady across the street on his way to the stick-up.

No intelligent supervisor, no mystic force, no conscious controlling agency swings the molecules into place at the right time, chooses the appropriate players, closes the links, uncouples the partners, moves them on. The dance of life is spontaneous, self-sustaining, and self-creating.

Politicians would only move beyond gestures once there was a critical mass of informed citizens.

In our system, grand juries take every charge, every lie, and they try to sort the truth from the lies, and then they move forward into the system. And that's how the system ought to work. We should respect the secrecy of the grand jury so they can sort through what's true and what's not. And someone is leaking, and if they are leaking from the grand jury investigation, then that's a violation of the law.

When the father dies, he writes, the son becomes his own father and his own son. He looks at is son and sees himself in the face of the boy. He imagines what the boy sees when he looks at him and finds himself becoming his own father. Inexplicably, he is moved by this. It is not just the sight of the boy that moves him, not even the thought of standing inside his father, but what he sees in the boy of his own vanished past. It is a nostalgia for his own life that he feels, perhaps, a memory of his own boyhood as a son to his father.

I am fighting for those middle-class families who want us to deal with our debt and deficit, but they also want the investments that are critical to our country moving forward.

We have to get back to a government where leaders are willing to talk across party lines and do not have absolute politics as the goal. Our goal has to be bettering the country, making sure we have an education system that is world-class and a healthcare system that is world-class, making sure social security is safe. People don't care who is huddling in a corner with whom, making the next political move. If you are elected to do a job, you are supposed to do it to the best of your ability.

One of the things that we need to do immediately is try to move our self away from petroleum-based or fuels from carbon-based fueling of this country, and, you know, we started doing that here in Iowa and we've been very successful with developing our alternative energy programs.

The process is to me is going onstage night after night after night after night until I get a new hour. And then once that hour is solidified and recorded, I move on.

I don't consider writing a quiet, closet act. I consider it a real physical act. When I'm home writing on the typewriter, I go crazy. I move like a monkey. I've wet myself, I've come in my pants writing.

When I started making music, we'd lost a lot of our great people. Rock was moving in a direction I didn't like. Rock was my generation's revolutionary, sexual, poetic, and political voice, but it had become corporatized. It was going into stadiums. It was so far removed from its basic roots.

Hey sister, you're just moving too fast, you're screwing up the quota.

My father's body lies in a stone tomb high on a hill. People walk by, pause, think their own thoughts about him and move on, back to their own lives. I can never move on. He is everywhere.