Moving Quotes - Page 417

I invited a few people to help celebrate your birthday," Cameron said sheepishly. She threw up her hands. "Surprise." "We sort of come with the package," Collin explained. "Think of it as a collective gift from all of us to you: five bona fide annoying and overly intrusive new best friends." "It's the gift that keeps on giving," Wilkins said. Jack grinned. "I'm touched. Really. And since it appears I'm going to be moving in, let me be the first to say that all of you are always welcome at my and Cameron's house. Subject to a minimum of forty-eight hours prior notification.

We make boundaries so that we can feel separate and move coherently through the world: it's part of our necessary natural growth to do that. In doing it, we forget the secret, which is that we are not separate... Respect your limits. Love your limits; they protect you from an abundance so immense it can be intolerable. If, however, you stretch your limits also, you will move in the direction of receiving and becoming unconditional love.

The world is both big and small at the same time. So you really do need to know TV, film and theater. Everyone is kind of moving through all different mediums. So I think it's important to be able to do those things.

Remorse has no place in a warrior's mind... A war is like a game of chess, Nicholaa. Every battle is like a well-thought-out move on the board. Once it begins, there shouldn't be any emotion involved whatsoever.

I put my films together in Europe and it kick-starts the financing when I'm attached as an actress. It makes it easier to move forward.

The camera can move, you can make the shots, blah blah blah, but as long as the actors are good, you have something.

I think all of us struggle with how to keep relationship alive. And yet it can't be static either. It's never going to be how it was when you first met because you're not in that place anymore; you're not necessarily the same people. So, that's the struggle - you're trying to make the relationship move forward with the rest of your life and make it special and meaningful. And I think it's incredibly challenging.

What happens when your dream comes true - when the spotlight is on and then it moves away?

History does not move by leaps into unrelated novelty, but rather by the selective emphasis of aspects of its own immediate past.

By speech first, but far more by writing, man has been able to put something of himself beyond death. In tradition and in books an integral part of the individual persists, for it can influence the minds and actions of other people in different places and at different times: a row of black marks on a page can move a man to tears, though the bones of him that wrote it are long ago crumbled to dust.

Love, I thought to myself abstractedly. Not 'This is love' or 'Is this love?' Not a sentence, not a certainty, not a thought with moving parts or direction. Just love, all of it, as it is. Whether it's enough or not. Wthether it's real or we're making it up. However shoddy it gets, or bent out of shape. It's still extraordinary. However foolish, however vain. However badly it ends. Love.

Our government's investments in science, technology and innovation are ensuring that ideas move from the lab to the marketplace faster, creating jobs and opportunities for Canadians. Through our investment in Mitacs Elevate, we are providing training and new career opportunities for talented researchers while ensuring that local businesses such as Vision Extrusions stay competitive and continue to create jobs here in Woodbridge.

Alice Munro can move characters through time in a way that no other writer can.

And if you had no tongue, no celebrating language, you’d do this: cross your hands at the wrist with palms facing towards you; place your crossed wrists over your heart (the middle of your chest, anyway); then move your hands outwards a short distance, and open them towards the object of your love. It’s just as eloquent as speech.

It is the media that controls the boundaries of what is politically permissible, so better to change the media. Profit motives work against it, but if we can have the audience understand that most other forms of journalism are not credible, then it may be a forced move.

I used to struggle a lot with dwelling on how the day at work was, and I would dwell on my performance. Now, I'm like, "Well, that's over and done with, and I can't control the outcome, so move on." I just remember that it's entertainment I am making.

The refusal to be creative is an act of self-will and is counter to our true nature. When we are open to our creativity, we are opening to God: good, orderly direction. As we pursue our creative fulfillment, all elements of our life move toward harmony. As we strengthen our creativity, we strengthen our connection to the Creator within. Artists love other artists. Our relationship to God is co-creative, artist to artist. It is God's will for us to live in creative abundance.

All too often, it is audacity and not talent that moves an artist to center stage.

I believe that what we want to write wants to be written. I believe that as I have an impulse to create, the something I want to create has an impulse to want to be born. My job, then, is to show up on the page and let that something move through me, in a sense, what wants to be written is none of my business.

Cartoons were very conservative. The country was very conservative. Although the liberals were allegedly in charge for a long time, there was a very acceptable balance what people would talk about in public. And I wanted to stretch those and move further out. And as the civil rights movement began, I started doing cartoons on that and on sit-ins and I was, along with Bill Mauldin, a great cartoonist out of World War II, arguably one of two white cartoonists doing this kind of work, Bill and me.

Artists in not only country but other genres usually make four or five albums, then they change producers to keep their sound moving forward.

One can understand the politics of that at this moment. It's an effort to buy time for a constituency of workers who have really been suffering in the last 20 years, and who need to be prepared and be given time to prepare for a transition to a very different type of employment that we may moving on to in the coming decades.

Whenever Canada moves to protect its own industries and people, it is subjected to violent attacks in the U.S. Congress and to threats of economic retaliation.

Know that you can make a difference in the world by being true to yourself, and moving in the direction of your dreams!

That's it. Gently now," Reagan said to Nellie. "We'll move onto the hard stuff tomorrow." "This...isn't...the hard stuff?" Nellie spit out through gritted teeth. Reagan grinned. "You really hate me right now, don't you?" "Immeasurably." "Good. Give me ten.