I'm from the US of A. Born in Des Moines, raised in the New York suburbs.
I imagined myself living in New York in some sort of open, large but sparse studio apartment with a lot of blond wood and a futon on the floor and a bubbling samovar of tea in the background and a big beard - living alone but with my beard - and doing theater. That's what I thought my life would be.
My upbringing was very un-Hollywood. I was born in New York and grew up on a ranch.
My upbringing was very un-Hollywood. I was born in New York and grew up on a ranch. I was never really smitten by the business in those days, never a fan type - just a basic kid watching TV. It wasn't like I was an insider. I was never really brought into the show business side of my father's life. I guess that's been a blessing and a downfall. But it's made my own work the initiation.
I remember passing through New York in college and thinking, Im going to come back here. The energy just made me think of Europe - everyone walking, seeing the delis and flowers outside. It just felt very familiar. I loved it right away.
I love that New York City is a true melting pot.
I've been in radio, God, twenty years. I started as a stand-up comedian. I wanted to be Carol Burnett when I was growing up. Radio was just kind of an accident. I did morning radio in my hometown of Buffalo, then went to Rochester, then Chicago, and then New York.
I am always nostalgic being in New York. Every neighborhood represents something to me. I lived here until I was 60 years old or so. So it was my life.
My memories are beautiful because my wife Joan is English and shortly after we were married, we stayed in London and I never forgot it. We loved it so much that we've been back very often and it's always a thrill. To me, there's New York City where I was born and raised and then there's London!
Right now a lot of people are still choosing to go to Toronto instead of shooting in New York City, something I haven't done and something I hope I'll never have to do.
I think the best actors in the world are here in New York City. And this city is just so vibrant the energy is just phenomenal. Great crews here. All the technicians, all the artists that work in this industry. I've just been very happy with the body that we've been able to do, especially those films we shot here in New York City.
I decided to be a filmmaker between my sophomore and junior years at Morehouse. Before I left for the summer of 1977, my advisor told me I really had to declare a major when I came back, because I'd used all my electives in my first two years. I went back to New York and I couldn't find a job. There were none to be had. And that previous Christmas someone gave me a Super-8 camera, so I just started to shoot stuff.
Swag defines an artist, period. Lil Wayne has his super-tattooed pierces and dreads swag. Jay-Z has his New York, grown man, Beyonce and 40/40 Club swag.
Being recognised on the street in New York is pretty surreal.
I am growing to love DC. But the core of Sonia is a New Yorker.
There's a great variety of people in Washington, but I think because of the great concentration of people in New York, that variety is more visible. You walk the streets and there are people of every color, shape and size, ethnic background, religion, it doesn't matter. It's always present.
I'm a New Yorker, and I jaywalk with the best of them.
I live in New York, and Clara lives in Recife. The character is Brazilian, and as I read the script, I felt like Kleber [Mendonca] had been spying on me in order to create this role [in Aquarius]. Clara and I have different backgrounds. I come from an intuitive world, and she's an academic, but when we got together, we really became one. There are many times when I'm watching the film where Clara will say something, and I will find myself agreeing with her. It was the first time that I had this weird sensation that the character I played is so me, but yet it's so her.
I have come to understand myself as more of a New York writer, or more of a woman writer, but I don't feel like that while I'm writing. But I think that most New Yorkers would object to calling me a New Yorker. I didn't grow up here.
Cats and their owners are on a private, exclusive loop of affection. Thus cats have become symbolic of a community eschewed and a hyper-engagement with oneself. They represent the profound danger of growing so independent in New York that it's not merely that you don't need anyone - it's that you don't know how to need anyone.
Everything in New York seems to merit preserving. If it's not historical, it's personal. If it's not personal, it's cultural. But you can't. You can't save everything. You just have to pack it up in your brain and take it with you when you go.
I now know my right from my left and my up from my down. Unluckily, my terrible sense of direction remains. For me, to live in New York City is to never be able to meet someone on the northeast corner. It is to never ever make a smooth entrance, always to get caught looking lost on the street.
Sometimes in New York, you're walking down the street and you realize there's a girl walking in front of you whose thighs you could hit a golf ball through, and maybe that makes you depressed.
I do think New York prepares you for the crossection of personalities and realities on display when you leave the country, and I'd live somewhere else if I had a reason or burning-the-the-point-of-discomfort desire to do so.
In New York, if you weigh under 200 pounds and decline so much as a cookie at a co-worker's party, women will flock to your side, assuring you of your appealing physique. This is how skittish we are about the dangers of anorexia and the pressures of body image.
