New York Quotes - Page 97

Sidney Lumet's chief preoccupation wasn't art. It was right and wrong in the American city, nearly always in New York.

I wouldn't have known anything about Catholicism if I hadn't been dating Gert. In those days, Catholics were much less ecumenical than they are today. Gert was always of the mind that she wouldn't go to another church except the Catholic Church. So when I would date her in New York City and later when we went to Oxford before we got married we always went to the Catholic church.

I used to think [Shoji] Hamada never drew, until there was a book by Bernard [Leach] published about his work [Hamada: Potter, Tokyo; New York: Harper & Row, 1975] and at the rear of the book were a number of wonderful little sketches, but they were not drawings like Bernard made.

During the years I was on the board of directors of the National Organization for Women in New York City, the most resistant audiences I ever faced in the process of doing corporate workshops on equality in the workplace were not male executives - they were the wives of male executives. As long as her income came from her husband, she was not feeling generous when affirmative action let another woman have a head start vying for her husband's (her) income.

One of the things that I love about being a writer is this. I wake up every day and I write for three hours. I wake up early. So like 6:00, 7:00 in the morning, I write till 9:00 or 10:00. I live in New York, nobody even is breathing until 9:00 or 10:00 in the morning. So, it's like my writing life is completely removed from the rest of my life.

My advice for aspiring writers is go to New York. And if you can’t go to New York, go to the place that represents New York to you, where the standards for writing are high, there are other people who share your dreams, and where you can talk, talk, talk about your interests. Writing books begins in talking about it, like most human projects, and in being close to those who have already done what you propose to do.

New York is my favorite city.

More and more too, the old name absorbs into me. Mannahatta, 'the place encircled by many swift tides and sparkling waters.' How fit a name for America's great democratic island city! The word itself, how beautiful! how aboriginal! how it seems to rise with tall spires, glistening in sunshine, with such New World atmosphere, vista and action!

I started writing plays in around 1967, and at a certain point, I thought, 'I'm writing plays, I should learn about acting and what it is.' So I went to the HB Studio in New York, and I was there for about nine months.

I bow my head to the victims of terrorism. I am highly impressed of the courage of New York residents. The great city and the great American nation are to win!

in New York there's such diversity that there's no one central identity; everyone is marginal.

I represent Staten Island and Brooklyn, and not just that the financial services industry is important to the U.S., but is disproportionately important to New York City.

Marg Helgenberger and I were waitresses in the same restaurant in Evanston, Illinois. I'm happy to say that that restaurant has since been torn down. [...] We both had an audition for ABC soaps - different soaps, but we auditioned at the same time, and she got the part and went off to New York. Three years later, I went to L.A. So she was kind of an inspiration to me. And it makes sense that we will both be in Wonder Woman together, because we ARE Wonder Women.

I was thinking of going to London drama schools or to New York, because France didn't accommodate the things I wanted to do in film.

I approach every film I do in the same way, whether it's an action film or not an action film. I guess if a certain physicality lends itself to action, but I started acting before I reached puberty. I was 7 years old when I started acting. It wasn't until I became a bouncer in New York.

I grew up in an artists community in New York, in a building that was government-subsidised for artists. No one made any money, but they made art for the sake of art.

I was born in New York but as a baby moved to Venezuela and Argentina. I've also lived in Denmark, where my father's from. I've traveled a lot, and having that sort of background probably increased the chance that I was going to remain curious as an adult about people who are different.

When I heard Puerto Ricans in New York City, it sounded very strange. And the first time I heard someone from Spain, I thought they had a speech impediment!

Sometimes people ask me to do stuff in New York, like "Can you read at this thing?" And I say, "Nooo, I can't just get on a plane with these two screaming children - I can't just get rid of them on such short notice and take vacation and fly over to New York."

I've never thought about the con of living in New York as a writer. Because I always think, Oh, what fun to be around so many writers. Because I've never been around so many writers.

New York has their own character. I love the fans here. They are very honest, and I love that.

My mother couldn't have been happier when I said I was moving to New York.

I want to be a New York Giant for a very long time.

Any time there's a coaching change, that's something that's pretty significant, and especially for the New York Giants, who have had the same coach for a long period of time. But we embrace it.

I've been in New York only a few days and I have learned only two words of your language: one is Swell, and the other is Lousy. ... 'It's swell to be with you and excuse, please, my lousy English!