I want to be someone who is doing something solid. And I am doing my thing. You can like it or not, but I know that now I have a really nice group of really cool and talented actors that follow me. It's the same for them. They have a special connection with my movies because we do these movies differently.
It's nice to finally be able to wake up and tie my shoes without feeling like I'm about to tip over, or walk a straight line without feeling dizzy, or be able to feel my left arm. That means a lot more to me.
It would be nice if you as journalists - there are some books that explain the painting [ of Guadalupe] what it is like, the significance, and that is how you can understand better this great and beautiful people.
Today we have to learn all over again that love for the sinner and love for the person who has been harmed are correctly balanced if I punish the sinner in the form that is possible and appropriate. In this respect there was in the past a change of mentality, in which the law and the need for punishment were obscured. Ultimately this also narrowed the concept of law, which in fact is not only just being nice or courteous, but is found in the truth. And another component of the truth is that I must punish the one who has sinned against real love
Kurt Russell is amazing. He's really nice. He's really funny. He's really professional, and it's great to see him work and to see someone who's done so many movies and who's so down to earth, it's great. I feel really lucky.
I lost track of it thereafter. I wish I had a piece of it. That would have been very, very nice. It was one of those little things they get you on the Bond and then suddenly your face is every which way.
I think that mass communications as well as mass travel have made the whole world available to us in ways that they haven't been. As with any kind of freedom, the more of it that one has the greater the need for limit and restraint. But I think that it's a nice challenge to be saddled with.
Nobody can afford to appear more pleasant than they really are!
I have found that lived out, the hardest place to be a Christian is to be in a nice prosperous country with a lot of entertainment options because there's so many distractions.
O God, make the bad people good, and the good people nice
The classical allusions and the Platonic disquisitions on beauty are no longer a form of cover, but integral to Aschenbach's complex sexuality. Moreover, the wandering around Venice in pursuit of Tadzio isn't a prelude to some sexual contact for which Aschenbach is yearning.
To my mind, Death in Venice represents an enormous advance in Mann's literary development, not simply for the commonly appreciated reason that he crafted a superbly supple and elegant style, apparently well suited to the kind of prose Aschenbach is supposed to write.
Mann's Death in Venice actually contains a snippet of philosophy about the second question, when Aschenbach, collapsed in the plaza, engages in his quasi-Socratic, anti-Socratic, ruminations.
First, my frame of reference for the Britten opera shifted. I'd always thought of Britten's approach in Death in Venice as another exploration of the plight of the individual whose aspirations are at odds with those of the surrounding community: his last opera returning to the themes of Peter Grimes. As I read and listened and thought, however, Billy Budd came to seem a more appropriate foil for Death in Venice.
Using the Adagietto of Mahler's Fifth is one of the touches of pure genius in Visconti's film (even though Mahlerians complain very loudly that the piece has been ruined), since it corresponds perfectly to Aschenbach's yearnings and to his circling walks around Venice.
As I read Mann in German for the first time, the full achievement - both literary and philosophical - of Death in Venice struck me forcefully, so that, when I was invited to give the Schoff Lectures at Columbia, the opportunity to reflect on the contrasts between novella and opera seemed irresistible.
Part of my methodological approach is made explicit when I discuss ways in which literature can have philosophical significance. Literature doesn't typically argue - and when it does, it's deadly dull. But literature can supply the frame within which we come to observe and reason, or it can change our frame in highly significant ways. That's one of the achievements I'd claim for Mann, and for Death in Venice.
I find that people can’t find you. It’s kind of quiet. When I go to a city, I can almost always get a piano if I need one. So there’s something nice about being on the road and focusing on something you want to do.
In the beginning, me and my bandmates just did stuff on our own - we had smoke bombs, we'd dress as crazy and as weird as we possibly could, just to give ourselves a different ambience. But when we started making money, of course, the ideas started getting bigger. We were big fans of Broadway; we were like, "Man, when you go see a Broadway show, you just get pulled right out of reality; you're into their world for a two-hour period. It would be nice if we could do that onstage with a music concert".
This would be nice when we baptize people in the winter.
It's nice to have a band that can adapt to whatever show we're in, so we can play on a big stage or a house show.
Everything has added up to a load that I'm getting tired of carrying. It's gotten so complicated. It's the three failed marriages, and having kids that grew up without me, and it's the personal criticism, of being Mr. Nice Guy, or of divorcing my wife by fax, all that stuff, the journalism, some of which I find insulting.
When I was sworn in as Mayor of Nashville back in 1991, I have to admit to you that I felt for several weeks like a bit of an outsider who had somehow taken over but didnt really belong in this nice palace. I secretly wondered if the real mayor would come back from vacation one day and call the police.
He does cry a lot. It's nothing new, nothing special! And actually I think everyone was crying in my box, so I think he wasn't the only one. I was crying, as well. But my dad is very emotional. I have that from him. It's my dad. He has a birthday tomorrow, so I'm just glad that he has a nice present.
It's just as well that I write in the same facile way wherever I am - no blocks or anguish, no contemplation, no elaborate revision, no need for love-tokens or nice views.
