Play Quotes - Page 235

The Grand Ole Opry, to a country singer, is what Yankee Stadium is to a baseball player. Broadway to an actor. It's the top of the ladder, the top of the mountain. You don't just play the Opry; you live it.

Playing our parts. Yes, we all have to do that and from childhood on, I have found that my own character has been much harder to play worthily and far harder at times to comprehend than any of the roles I have portrayed.

I want to play a villain - I can't wait to play a villain.

In a Game Community, the rules and officials decide if the players are good enough to play. If not, they change players. In a Play Community, the players decide if the game is fun enough to play. If not, they change rules.

Play the open variation of the Ruy is my advice to all ordinary club players, and I recently even wrote a book about it, seen from Black's point of view. Why does everybody try to copy the grandmasters' strange positional maneuvers in the 5. ... B-K2 variation, instead of fighting for the in intiative?

I like to play things that people understand, or maybe tunes that they could recognize. And so — I play for the people, just as much as for myself. Because, as I say, I still like to play.

Usually when we lose a game is because we turn the ball over or not play well enough and usually it is the turnover thing. We have to take care of the ball. It is starts with me and not turning it over.

The biggest thing isn't necessarily how I play, but that we win. That's my number-one goal. I could be the worst quarterback out there, but if we come out with a victory that's all that matters to me.

I remember, the players have often mentioned it as an honour to Shakespeare, that in his writing (whatsoever he penned) he never plotted out a line. My answer hath been, would he had blotted a thousand.

I know most players do, but I always keep both eyes opened. I still do it. I see two shafts, the real one and the transparent one. I look for what's on the inside edge of the transparent one

Hitting a shorter club to these greens means a great, great deal. Younger players are so much more capable length-wise.

I always looked really young for my age. And once I hit 23, 24 and 25, I was then allowed to play the cool 18-year-olds and stuff.

It took me years to live down Dracula and convince the film producers that I would play almost any other type of role.

When you play it too safe, you're taking the biggest risk of your life. Time is the only wealth we're given.

All my growth and development led me to believe that if you really do the right thing, and if you play by the rules, and if you?ve got good enough, solid judgment and common sense, that you?re going to be able to do whatever you want to do with your life.

I never experimented with the hoddu like I wanted to do. Like on the song "Allah Addu," the hoddu and the voice is something that belongs to West African culture. When you go to the north of Mali, in the past it was just the singer and one instrument player. We never really did have that on our CDs. On some other songs, like "Laare Yoo," we have a whole section of hoddu, something like four of them playing together.

As paradoxical as it may seem a great sculptor is as much a colourist as the best painter, or rather the best engraver. He plays so skillfully with all the resources of relief, he blends so well the boldness of light with the modesty of shadow, that his sculptures please one, as much as the most charming etchings.

I don't think players care too much about stats and statistics.

Television has a real problem. They have no page two. Consequently every big story gets the same play and comes across to the viewer as a really big, scary one.

Who knows ... we'll be playing Jazz and having a good time!

Messi is a Playstation.

There should be a period of time during each practice session when you perform. Invite some friends in to your practice room and play a passage or a page of something. ... What I'm trying to indicate is that each day should contain some amount of performing. You should engage in the deliberate act of story telling each day you practice. Don't only gather information when you practice, spend time imparting it. This is important.

Nowhere in the world do supporters love their clubs more than in England. England is paradise to play in.

I am a big admirer of Paul Scholes, he is one of the best players of his generation.

When I play, I feel like in a theatre, why should I look ugly then, because I'm a tennis player?