Bangladesh is a world of metaphor, of high and low theater, of great poetry and music. You talk to a rice farmer and you find a poet. You get to know a sweeper of the streets and you find a remarkable singer.
I thought we were gonna open up the world of poetry and music to all kinds of things, and yet, I can't really think of anyone who's done anything like it since.
My father loved poetry and music. But deep in himself he thought teaching the finest thing a person could do.
You cannot evade quantity. You may fly to poetry and music, and quantity and number will face you in your rhythms and your octaves.
I'm quite a softy, yes. I have a blank spot with respect to visual art, but I have perhaps a compensating hypersensitivity to poetry and music.
The romanticised life, where all the great poetry and music and art of the world comes from, is great but it requires a lot of self-indulgence.
Why do comparisons of words and tone poems (poetry and music) never take into consideration that the word is a mere signifier, but that the sound, aside from being a signifier, is also an object?