Radio Quotes - Page 13

Caught in a bad romance. Whoaaa-oh-ooooh!" Nellie wailed along to the XM radio blaring from the enormous speakers. "Can I uncover my ears now?" Dan called from the back, where he was reclined across the leather seat. "Has Nellie stopped her Lady Gag Me impression?

Radio broadcasting was only 25 years old when I was born in 1932.

On the radio I listen to the easy-listening stations, the jazz stations.

I think radio plays are my favourite medium, as they make the listener work and create and contribute in a way that TV and film can never do, and they have an immediacy that written prose often lacks.

What sounds good on the radio is really loud kick drums and loud snare drums, when everything's bombastic and in your face. It's the equivalent of a houseguest who screams all the time.

television and radio violence was considered by most experts of minimal importance as a contributory cause of youthful killing. ... there were always enough experts to assure the public that crime and violence had nothing to do with crime and violence.

I'm doing more than just making songs for the radio. I want it to be a well rounded sounding experience.

There is more talent per square metre in Ireland than there is anywhere else. We just don't harness or help them ... the radio stations prefer to support the likes of Rihanna and Beyonce.

A lot of the music I listen to is indie rock. It's not on the radio.

I never sent promotional copies to Christian radio stations in my life. It's not what I'm interested in.

As Al Franken has demonstrated, liberals give lousy talk radio.

Some people find it easier to picture the stream of inspiration as being like radio waves of all sorts being broadcast at all times. With practice, we learn to hear the desired frequency on request. We tune in to the frequency we want.

I think when you do radio there's a certain amount of freedom that when you walk in and sit down and turn the mic on, it's you. It's all you.

Honestly, there are so many things about structuring a story for film and telling a story for film that are really different from doing radio.

But sadly, one of the problems with being on public radio is that people tend to think you're being sincere all the time.

There's definitely privilege in the upper classes, but as a whole, music can be enjoyed by anybody who can gather around a radio.

He (Sandy Koufax) throws a 'radio ball,' a pitch you hear, but you don't see.

I booked my first studio at like 12 or 13. Somewhere in that season of my life, singing along with the radio became me wanting to be on radio, you know.

I didn't know that there were any radio stations in Nova Scotia.

Radio, which was a much better medium than television will ever be, was easy and pleasant to listen to. Your mind filled automatically with images.

The important thing was that I was still on the radio.

You are no more in your body than Beethoven is inside your radio.

Radio as we know it is pretty much changing completely.

Radio in England is nonexistent. It's very bad English use of a media system, typically English use.

By the eighties, a lot of radio stations had started playing "Sixties" music. They called it "Classic Rock," because they knew we'd be upset if they came right out and called it what it is, namely "middle-aged-person nostalgia music.