Reading Quotes - Page 159

I love academics, theory and all that. I love and admire that and try to do as much reading as I can.

I've been reading reviews of my stories for twenty-five years, and can't remember a single useful point in any of them, or the slightest good advice. The only reviewer who ever made an impression on me was Skabichevsky, who prophesied that I would die drunk in the bottom of a ditch.

O my darling books! A day will come when you will be laid out on the salesroom table, and others will buy and possess you-persons, perhaps, less worthy of you than your old master. Yet how dear to me are they all! Have I not chosen them one by one, gathered them all in with the sweat of my brow? I do love you all!

We write to expose the unexposed. Most human beings are dedicated to keeping that one door shut. But the writer's job is to see what's behind it, to see the bleak unspeakable stuff, and to turn the unspeakable into words - not just into any words but if we can, into rhythm and blues. You can't do this without discovering your own true voice, and you can't find your true voice and peer behind the door and report honestly and clearly to us if your parents are reading over your shoulder.

Reading centers on finding yourself in a book.

The impact of the Yemeni manuscripts is still to be felt. Their variant readings and verse orders are all very significant. Everybody agrees on that. These manuscripts say that the early history of the Koranic texts is much more of an open question than many have suspected: the text was less stable, and therefore had less authority, than has always been claimed.

I like reading... French, Russian classics - Gogol, Tolstoy, Dostoyevsky, Flaubert. I also like Hemingway, Virginia Woolf.

There are no bad books any more than there are ugly women.

Sometimes I do readings and people can’t stop laughing, but I’m reading about pretty tragic things. I think Soviet humor is a desperate humor, rather typical of very different nations, of Jewish people, Ukrainians, and of course, Russians. It’s despair - just keep laughing, until you are dead.

I read a book called The Art of Loving. A lot of things seemed clear while I was reading it but afterwards I went back to being more or less the same.

In the reading and writing life, delight, for me, is where the mystery lies. Easy enough to figure out how scenes of violence or tragedy or titillation or grossness or even sentimentality can move us, but how the written word elicits delight - what Nabokov calls that shiver in the spine - is much harder to calculate and define.

What makes a sentence, a phrase, a moment, or a scene delightful? Something about recognizing the truth in it, hearing the music in it, understanding, intuitively perhaps, that the words are just right. It's not a matter of even context - delight is not limited to scenes or descriptions of happiness or beauty - but of aesthetic appreciation of the thing itself. As a reader, I find it's that moment when I want to stop reading, and also that moment when I know I can't. Delight is that it's what takes me by surprise and reminds me why I love the literary arts above all others.

I read passionately with a need to know and see the act of reading as an act of cognition and not simply a means of passing time.

A Crime So Monstrous is a remarkably brave and unflinching piece of reportage and storytelling. Ben Skinner bears witness, sharing stories so unsettling, so neglected, so chilling they will leave you shaking with anger. This should be required reading for policy makers around the world - and, for that matter, anyone concerned about the human condition.

Our society accepts the book as a given, but the act of reading -- once considered useful and important, as well as potentially dangerous and subversive -- is now condescendingly accepted as a pastime, a slow pastime that lacks efficiency and does not contribute to the common good.

Tokyo Heist is a fast-paced, exotic reading adventure, a story where The da Vinci Code meets the wildly popular manga genre! Author Diana Renn infuses protagonist Violet with plenty of chikara (power) and Renn's fresh, spot-on author's voice is irresistible. I couldn't put it down!

I grew up reading genre writers, and to the degree that Eric Ambler and Graham Greene are genre writers, I'm a genre writer.

Authors, she soon decided, were probably best met within the pages of their novels, and were as much creatures of the reader's imagination as the characters in their books. Nor did they seem to think one had done them a kindness by reading their writings. Rather they had done one the kindness by writing them.

I'm good at reading people.

When we have read a book or poem so often that we can no longer find any amusement in reading it by ourselves, we can still take pleasure in reading it to a companion. To him it has all the graces of novelty.

The truth is we're all probably more creative than we realize, except we spend our lives watching TV or reading somebody else's book. We never pick up a brush and stand in front of our own easel.

if you want your name to be remembered after your death either do something worth writing or write some thing worth reading

My father loved biographies. He loved the true tales of interesting people that were shaping our culture. I get why he dug Vanity Fair. You feel smarter, somehow, for reading it.

When reading about what may be described as the lesser celebrated heroic figures of the Harlem Renaissance, we rarely get a definitive look at just how complicated and sometimes dangerous their everyday lives were. In fact, until the past ten years, many defined the period primarily by its well-known literary, musical, and artistic elements while overlooking the fact there was any political component to it at all.

There is nothing nicer than nodding off while reading. Going fast asleep and then being woken by the crash of the book on the floor, then saying to yourself, well it doesn't matter much. An admirable feeling.