Reading Quotes - Page 178

People are reading news for free on the web, that's got to change.

[People who have left the ISIS] say that there comes a moment when the inconsistencies and apparent hypocrisies of their sheikh lets them down, and they begin rereading scripture and find ways that vouch for a nonliteralist reading of the Koran.

I definitely have a Luddite's approach to what's going on. I find that as I get older, I get stupider. For me, the iPhone is harder than reading Faust. I've been hanging out a bit with Lou Reed, and he's the complete opposite. He's into technology and is kind of like a toddler, compared to me, who's like an old 19th-century widow or something.

I wasnt a model schoolboy. Of course, I was forced to sit through Shakespeare and I really got into some of it, though it depended on who was reading it out.

What is the moral? Who rides may read.

My life as a working theorist began three months after this preliminary study and background reading, when Oscar gently nudged me toward working on a particular problem.

I would not like to direct, I would be one of those terrible directors who can't help line reading the actors their lines, because I would just want to be doing their parts.

What I like about organizing things that way is that each story gets nearly full reign over its own space, but all of them are hung on a single string - the loosely-reined voice mentioned above. Thus the collection jogs away from suzerainty and past federation toward, I guess, alliance. Or maybe call each story a separate house on a single street? Or it's all a line of dive bars on some wharf front? What the hell, let's call reading the collection a pub crawl, but with words.

I didn't intentionally emplace the raw material needed for political/allegorical readings into any of the first drafts, but sooner or later I saw it coming, and I did intentionally not cut it from some of the final drafts. In other words, I'm not particularly interested in encouraging readers to read certain stories that way, but I want to make sure that route's accessible should anyone be so inclined.

Cuts in a sector are never going to be welcomed, and arts funding cut by up to 30% doesn't make nice reading. But cuts are happening across the board, in many sectors for the sake of the economy. And if you look at economically depressed post-war UK, The Beatles, The Who and The Rolling Stones came into fruition... maybe giving weight to the claim that bad economic times can actually lead to greater creativity!

Singing your own songs live is so personal, it's like standing there reading out your diary pages. I still get really nervous so I would have to say performing is the greater rush for me.

When I write on Twitter, I do other things: I'm working, grading, or reading, and I'm procrastinating, and I'll pop on Twitter and be like, "Hey, what's up? Yogurt's delicious."

I am new to superhero comics, though growing up I read Archie comics, religiously. I've been doing a lot of catching up, reading what's out there and it's been wonderful to see what's going on in contemporary comics.

The Catcher in the Rye had such a deep impact on me, because it felt like it was just Holden and me. I didn't feel like any other person had read that book. It felt like my secret. Writing that I identify with feels like it's just me and the writer. So I hope that whoever is reading what I do feels like that.

You start reading C.S. Lewis, then you’re reading G.K. Chesterton, then you’re a Catholic.

In London, there is a section in a newspaper, the Metro, where people write in and thank strangers for their lovely or kind actions throughout the week. It brings me such happiness reading it and makes me know that, ultimately, human beings are amazing.

Many persons read and like fiction. It does not tax the intelligence and the intelligence of most of us can so ill afford taxation that we rightly welcome any reading matter which avoids this.

I've been reading The Feminine Mystique by Betty Friedan, which is obviously very dated now but still relevant. It's so interesting to see how far we've come and how far we haven't come with all these myths that people put onto women.

The more readings a novel has, even contradictory, the better. In journalism, you talk about what you know; you have provided yourself with records, you have gathered information, you have performed interviews. In a novel, you talk about what you don't know, because the novel comes from the unconscious. They are very different relationships with words and with the world. In journalism, you talk about trees; in the novel, you try to talk about the forest.

Reading and writing music is a wonderful way of getting ideas in your head down to someone else who reads and writes, but if you don't read and write, and the other musician you're playing with are trying to express something who doesn't read and write, than it's a question of "I wrote" so that you must learn from listening and from understanding where that's coming from.

Part of the pleasure of giving a reading comes from the rapport between the audience and the poet. I don't want to get mystical here, but there's an energy flow that begins with the poet, and the energy goes out to the audience, and they're energized, and then they return that energy to the poet. As someone standing up there alone, facing these people, I can feel that rapport (or its absence).

I've been leading newsrooms for a while now and it's been an honor serving as Editor in Chief of N.J., but I really think that my best shot at moving the needle in politics is by getting close to it - by reading, reporting, tweeting and writing.

I think that anyone who grew up reading and being taught the Bible, as I did, can't help but have their prose shaped by it later in life. I still have deep, almost primal responses to the language of scripture, and I think that comes through in all my writing.

It was really John's [Musker] idea to begin with to tell a story set in the world of the South Pacific, Polynesia. He started, he just loved the world and he started reading a lot of mythology, which most people are not that familiar with.

When one read's Kierkegaard's profound analyses of anxiety and despair or Nietzsche's amazingly acute insights into the dynamics of resentment and the guilt and hostility which accompany repressed emotional powers, one might pinch oneself to realize that one is reading works written in the last century and not some new contemporary psychological analysis.