Reading Quotes - Page 250

I did a weird thing when I was about 24. For four years I had written quite a lot of poetry, and I started reading through it and thought some of it was really good. So I burnt it all.

No matter how tight the shot is, if I'm narrating it too much, there's a barrier between you and the experience, because the process of reading a book, or watching a movie, or watching a play is that you're watching a dream.

If you’re reading to find friends, you’re in deep trouble.

I like reading novels because it provides insight into human behavior.

I like reading novels because it provides insight into human behavior. I am really interested in feelings and think they are what define us as a species. When you really get it right in acting, it's an act of empathy. You feel less distant from others, and that is really exciting.

When we wrote that scene about the Sleepy Kittens where he's reading the storybook to the kids, it's like we've had to read these stupid books to our kids, and we all want to just tell our kids, "This is really bad. Don't you know that? Can't you see that?"

The strength of film is its accessibility and immediacy. But the strength of books is that freedom to really depict anything you want because people are going to be reading it in private. So, I'm always trying to write with the immediacy and the constant motion of film but I'm also trying to write with the complete freedom of subject matter that books have.

It drives me crazy to do readings of my books, because if I read anything I've written in the past, I'd like to almost rewrite everything. If I could, I'd completely rewrite Fargo Rock City, and every sentence would be just slightly different. In all likelihood, most of them wouldn't be any better. Some of them would just be changed back to whatever form they used to be, before I second-guessed myself the first time.

I started reading when I was about three, a little over three.

It's very hard to get a movie made. You could spend your life reading scripts that never got made.

The saying "the cherry on top" is only a good metaphor if the person listening or reading actually likes cherries on top of their ice cream.

The reading public isn't born that doesn't think foreigners are either funny or faintly sinister.

Alcohol makes other people less tedious, and food less bland, and can help provide what the Greeks called entheos, or the slight buzz of inspiration when reading or writing

Avoid stock expressions (like the plague, as William Safire used to say) and repetitions. Don't say that as a boy your grandmother used to read to you, unless at that stage of her life she really was a boy, in which case you have probably thrown away a better intro. If something is worth hearing or listening to, it's very probably worth reading. So, this above all: Find your own voice.

Since my adaptation of Ian McEwan's 'Atonement,' I get sent a lot of novels that people think will work as movies. So every now and then I make a point of sitting down and reading a couple of them.

Even if you've sworn to yourself never to read vampire fiction again, do yourself the favor of reading Motherless Child. Glen Hirshberg has crafted a compelling, heartbreaking thriller full of character, grit, and sorrow. Bravo

One of the things that's amazing about reading the private writing of these folks is that they enthusiastically describe things which we have now seen, and which are widely regarded as unappealing. They'll write, "It's going to be beautiful, we're going to have a town of 1,000 stone buildings that are all identical." And we as modern readers think, we've seen that; that's bad Soviet architecture or a public housing project. Nobody fantasizes about living there.

One of the most important things that we as Christians can do is regularly fill our hearts and minds with God's Word. Bible Gateway is one great tool available that makes reading and studying Scriptures readily available to each of us at any moment.

Trust me when you read the script for Bad Santa 2 I knew exactly what I was getting myself into. I read the script first, and I was laughing out loud and blushing and couldn't believe what I was reading.

Through reading the scriptures I realized there was a purpose for my life, that I was created for a reason, that I was significant, that it was my choices that got me to where I was at and that it would be my choices that would get me to where I wanted to be as well.

Reading was a joy, a desperately needed escape -- I didn't read to learn, I was reading to read.

I don't think that people are necessarily going to films simply because they were adapted from comics, though I could be wrong. Comics aren't really misunderstood either, they've just been mostly silly for the past century, and those genre-centered stories have found their way into the movie theaters over the past couple of decades because a generation who grew up reading them has, well, grown up.

The "essence" of comics is fundamentally the weird process of reading pictures, not just looking at them. I see the black outlines of cartoons as visual approximations of the way we remember general ideas, and I try to use naturalistic color underneath them to simultaneously suggest a perceptual experience, which I think is more or less the way we actually experience the world as adults; we don't really "see" anymore after a certain age, we spend our time naming and categorizing and identifying and figuring how everything all fits together.

I'm reading Joe Eszterhas biography; it's fabulous. Every time he made a movie, he fought with the director or the producer over the ending.

Five to 10 years from now, if not sooner, the vast majority of 'The New Republic' readers are likely to be reading it on a tablet.