Reality Quotes - Page 285

Music moves me - duh - and that is like having a window opening on a heightened reality, but the effect is fleeting: When the music ends, the magic, the uplifting, vanishes and the window slams shut. Words, on the other hand, by the nature of how they work, emotions evoked by dint of carefully laid out thoughts, have a more lingering effect.

If you don't have dreams, how do you maneuver reality? Where do you get the ideas to change reality if not from dreams?

Somehow, in the novel format, I don't really like to do upfront, ideological discussion. In my heart, literature remains a poetic and ambiguous medium. On the other hand, I trained as a documentary filmmaker in film school, so my films very much reflect reality and socio-political problems. They're less subtle I would say.

God is, of course, a terrifying reality. I had thought that I knew all about God, and had Him in a pigeon hole. But I met Him at the corner of a street -- He entered my mind with a bang, and nearly burst my head open.

I always feel, I guess being a product of the movies of the 40s where movies were the greatest things and screens were big and palaces were palaces and stars were larger than life that reality was so much inferior to what we felt was conceivably possible from what we had seen in the movies.

When you make the film, there's a big difference between when you're in your own home at the typewriter, and when you're standing on a mountain, or on a street corner, and buses are coming by-it's a different reality. You make a million changes that were never in the script, but that reality dictates.

You always think another time would have been ideal for you . . . the reality is there was no novocaine when you went to the dentist.

I have a hyper-active imagination, my mind tends to jump around a little, and I have some trouble between fantasy and reality.

Reality is what I see, not what you see.

On the one hand I follow a vocation because I have an ability that I should exercise, but I want to use it for a reason, because I don't see that the freedoms that I enjoy are God-given realities. So I have a very healthy, activist general tension in me which feels that no, this is not gratuitous, it is important to keep this in focus.

The mobility of the eye is such a fundamental treasure that we have, and that coexists with sensation. On the dance floor, you are totally in reality, while also experiencing this dream imagery of changing colors and wet surfaces of skin. Sometimes it's the shadow outline in the strobe light, and in another moment it's the closeup of an armpit that you're looking into. I'm not photographing all the time, but it's something that I actually see all the time, and not just on the dance floor.

I want the pictures to be working in both directions. I accept that they speak about me, and yet at the same time, I want and expect them to function in terms of the viewer and their experience. With these abstract pictures, although the eye recognizes them as photographic rather than painted, the eye also tries to connect them to reality. There's always this association machine working in the brain, and that is why it is important to me that they are actually photographic and not painted.

I grew up with a very strong sense of what is just and what is not or, to put it this way, I grew up with a keen sense of a division, the reality of a division of perception in people's lives between those who govern and those who govern.

It is no use dealing with illusions and make-believes. We must look at the facts. The world ... is too dangerous for anyone to be able to afford to nurse illusions. We must look at realities.

It's weird because I think of movies like Reality Bites or something, where, even though my life was nothing like that, I hadn't done something contemporary for a while, and it's easier. You do try to make something your own.

I'm a really private person. I just love my work. I feel like celebrity has changed so much, in this culture. Ever since they started with those reality shows and people that aren't actors but they're really famous, it's gotten very different from when I started out. So, the idea of ever becoming more than what I had is not really what I want.

As far as trying to make it terms of social hierarchy or status and all that in art and music - I've always felt that that stuff was bullshit. It's got very little to do with reality, and reality is where things live. You look at a painting and think, "Oh, it's beautiful. It inspires me," whatever. But it's never going to inspire you like reality. A lot of these artists and musicians who prioritize skill over experience, they sit around masturbating themselves over knowledge and intellect rather than just going to a place.

I feel totally disconnected from reality in Washington. Maybe I'm just really pretentious - in fact, I probably am - but I feel like people in this city have no idea about where their reality is coming from and who is helping them to live in this illusion. I've gone from the south side of Chicago, where everyone is completely unrealistic about what's important in life to a place like this, where people are still unrealistic about what's important, but it's on two opposite sides of the spectrum. I just get tired of it all. It makes me really, really angry.

I was not in touch with reality. Growing up, I was being shielded without my knowing it, because even all the way up to the age of 15, I made these paper basketball men and played with them, like action figures.

Imagination is the means of deep insight and sympathy, the power to conceive and express images removed from normal objective reality.

The earlier truths are not expelled but absorbed, not contradicted but extended; and the history of each science, which may thus appear like a succession of revolutions, is, in reality, a series of developements.

Many persons entertain a prejudice against mathematical language, arising out of a confusion between the ideas of a mathematical science and an exact science. ...in reality, there is no such thing as an exact science.

Together they [President Nixon and Secretary Kissinger] pursued ends that frequently had a tenuous link with reality, using means that were not merely disproportionate but counterproductive and untrue to those values they were meant to defend. In fact neither man demonstrated much faith in those values.

The world is filled with invisible realities. But, if people do not see or hear, then these realities do not exist.

The Orgasmic Death Gimmick is rather complicated. It could be called the whole birth-death cycle of action, persuading people that birth and death are realities.