With a lot of what we take to be true feelings, especially on pop records, we feel them because they're cleverly crafted. And because the words are written by somebody who knows how to craft words and draw on those things and convey those feelings. That doesn't mean they're dishonest. But it also doesn't mean that it's all just pure primitive emotion spilling out.
I've noticed that when I am selling a lot of records, certain things become easier. I'm not talking about getting a table in a restaurant.
As for multimillionaires [in Donald Trump's Administration], a lot of us hope to be a multimillionaire some day. Again, spotty records, but it seems to be not without the range.
One of my first records that I heard was 'Wish You Were Here' by Pink Floyd.
I just to put out the best records I can and perform the best I can.
Mumford and Sons and Adele are both incredible artists and are great for popular music. There's a lot of club music with heavy beats, so to have that Mumford record and hear banjos being used is so cool.
Usually, when you go in to make a record, you have 30 songs, and you record 30 of them, and 12 of them make it to the record.
Remember the Stax label and how if you liked one record, you liked all the others as well? You don't talk to a lot of people who tell you how much they love their record label. I don't care how many records they sell.
A gay murder movie is never going to be, like, breaking box office records.
I made a conscious effort to make a record that would affect people in a good way rather than the last one, which affected people in a bad way.
I never really paid attention to sales until the second record.
Literature doesn’t exactly have a strong mental-health track record.
My True Name is so well known in the Records, or Registers at Newgate, and in the Old-Baily, and there are some things of such Consequence still depending there, relating to my particular Conduct, that it is not to be expected I should set my Name, or the Account of my Family to this Work; perhaps, after my Death it may be better known, at present it would not be proper, no, not tho' a general Pardon should be issued, even without Exceptions and reserve of Persons or Crimes.
I have a very strong record on the Environment in the United States Senate.
I put everything I can into a record. That's what art is for. I take a risk every time I do one with my whole being.
Phoenix was a tougher record, a little more commercially accessible record.
I love Don Williams records. And old Ralph Stanley and Bill Monroe.
I just wanted to make a record that wasn't escapism. Like, I didn't want to write another record that was devoid of meaningful content.
There are too many Destroyer records to just start rattling them left them off, but they're there.
Palaeontologists cannot live by uniformitarianism alone. This may be termed the Phenomenon of the Fallibility of the Fossil Record.
Changes, cyclic or otherwise, within the solar system or within our galaxy, would seem to be the easy and incontrovertible solution for everything that I have found remarkable in the stratigraphical record.
Sedimentation in the past has often been very rapid indeed and very spasmodic. This may be called the "Phenomenon of the Catastrophic Nature of the Stratigraphical Record."
Actually I was writing with people that didn't get records.
I wouldn't record any song that I didn't like.
The lack of sweat to get a win is probably a record for me.
