Records Quotes - Page 90

We need somebody with a proven track record of competence, leadership and what you see is what you get.

My track record is pretty good on predictions.

Sometimes you hate your music, sometimes you don't. Sometimes I listen to the record and it's really hard for me, and other times I listen to it and I give myself a pat on the back.

I think rock records tend to be very expensive.

If it's a good LP, you'll get that tingle that makes you put it on again no matter what your initial reaction was. On the other hand, if you don't get that tingle, you'd better take it straight down to the record exchange.

I was free from fear for the first time ever while making the music. Fear's job is to distract us from the truth. There's no fear on my record.

You can build up expectations for a song before you record it, and then it's like nothing's good enough in the studio.

The instrumental record is a bit subtler. It's the kind of stuff on sound check, when I first pick up my violin and start to play, the kind of melodies that just pour out of me. Some of them sound very classical. Some of them sound experimental, polyrhythmic loops that I make.

Every time I make a record, it's kind of like scarification or something. You work 15 hours until you're stupid. You're just kind of all jittery.

It's like you don't know you're making a record unless you're half-killing yourself.

I don't like to disappear between records. I like to play shows while I'm making the record.

I put a lot into my records, and I won't release anything I'm not totally thrilled with.

I would love someone to follow me around with a boom box so I could have a soundtrack to record my daily moments. That would be awesome! I also wouldn't complain if I had someone doing my hair - I have a hard time with my hair.

I know how it feels to go into a studio to start a record, and eight weeks later it's finished. I know how an intense schedule feels.

There's not a whole lot of media interest in me other than just the records that I make.

I grew up working at a record store and listening to vinyl. Even if it's side A and B, there's always this continuity that really turned me on about music.

One's life should be sufficiently interesting to furnish entertainment in the record.

Suddenly to change one's opinions and go over to another party. The most notable flop on record was that of Saul of Tarsus, who has been severely criticised as a turn-coat by some of our partisan journals.

ARENA, n. In politics, an imaginary rat-pit in which the statesman wrestles with his record.

Before college, I acted in my room, to classical music, because music tells stories. I'd put on a record and proceed, silently. I'd keep putting the needle back to a certain segment because I hadn't died well enough. I had to really, really feel dead. I'd love to do a death scene.

Every album is just a greatest hits of whatever songs are on a pile when I go in to make a record.

Comparing yourself to the people like you, comparing yourself to the people who aren't like you, looking at how many records you've sold, looking at the venue size you're selling out. None of that can even remotely measure how happy you are.

I want make more records with my sister. I want to go on the road. I want to tour around the world. I want to continue to make great films and work with incredible directors that I respect and look up to.

To those people (who criticize me), get off your a** and make a record.

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