Scene Quotes - Page 17

Michael Pitt is amazing. His physical comedy is extraordinary; he's so committed and so willing to play within the scenes. It makes you feel very free to also explore.

I was very glad later when I was directing that I wasn't in the hands of a cinematographer and hoping that he would do it well. I would know what he was doing, and we could discuss how that scene would look.

Guy Pearce is very precise and clear about understanding the rhythm and the music of a scene.

I worked a lot in Chicago's theater scene as a fight choreographer. And so I do have a lot of experience in stage combat and also in Kabuki dance and Kabuki theater.

I still feel very much an imposter in the whole music scene, which I'm quite happy about to be honest.

The first time I ever screamed at someone was in a scene, and I'd never screamed at someone in my life.

I love working with Alexander Skarsgard. He brings such gravity to a scene.

Deleted scenes are like in a middle gray zone. It's like, well, they're deleted because they're not good or you lost the battle and you couldn't put them in the movie.

The music technology scene is changing so fast its hard to keep up.

There are elements of that, where you'll see a scene again and you'll recognize it, but I wouldn't say it's got one conceit like that, at all. It definitely has those jokes, but it would be wrong to say this is a show where, every time you see it, you see a new angle.

I hope to take advantage of the Netflix organism and see if there are ways to get in new material and see if there are ways to do deleted scenes.

Every frame and every scene has to have an intention.

We were the ones on scene when everything went down. We weren't better. We weren't worse. We were just the ones standing in the blast radius.

I'm always excited to do the fight scenes.

I haven't had the time to plan returning to the scene because I haven't left it.

Being in the same scenes as Maggie Smith and Shirley MacLaine is something I will never forget.

You can't feel sorry for a scene. If the movie works without the scene, then you don't need the scene.

There always should be something hanging unfinished before a scene ends so that there's a reason for going to the next scene.

The American new music scene is remarkably vibrant.

There's no point in swanning through and being cool as a breeze in every scene. It's not really that interesting. Even if you're a superhero.

You can't really gauge the difficulties of television. There's difficulties and joys that happen with an amazing, great team, when one is working. Television can be a very frustrating job for almost anybody working in television, because you're shooting episodically, and you don't know one scene from the next, and maybe they change around.

Mal Blum's arrival on the indie scene gives us all hope for the future of smart music.

It was fun. I'd never done anything like that. I'd never done any bi-sexual or lesbian scenes before, but it was really fun.

Scenes change while shooting. Nowadays, while you're shooting the movie, you're cutting at the same time.

Then if the actor comes up with, "It's more logical to do this," I just change it [a scene] on the spot.