Scene Quotes - Page 14

No, we didn't shoot... in the ones that I did there were hardly any sex... there were suggestions of sex scenes but we never actually shot a sex scene as such.

I don't feel like you can fully find the true character until you're in his wardrobe, on set, and really getting into the scene. And that's when you really find out who your character is.

Are there any writers on the literary scene whom I consider truly great? Yes: Truman Capote.

Generally when I'm filming something, I have a sort of exaggerated, comical, sort of grotesque version of the same scene running parallel in my head. With this process, you get to let it out of the box a little bit.

I've wanted to make movies for so long. I learned most of what I know from director commentaries and behind the scenes featurettes and criterions.

I would comment on the scene, but I've never kissed a woman so I don't really have anything to add.

Working with Steven Spielberg, how bad could it be? But "1941" was one of those excessively big movies where every action scene was done and re-done and re-done again. It was so overproduced and overly expensive. And it wasn't terribly funny.

I think I am example for our scene, so I have to be an example for the rest.

I'm always doing what I can to look for and just feel out funny things that are happening in the scene and improvise off of them.

Maybe it's good that we are so slow with everything. We were saved from the damages that took place in the last 10 or 15 years in the scene.

I can make a scene that's not supposed to be sexy, very sexy. It's a power you're born with. It's not a physical thing, it comes from inside. It's all in the eyes.

If you work in Chicago in the improv scene, anyone is happy for you if you get a job.

We're comparing our behind-the-scenes with everybody else's highlight reel.

As far as my own life goes, I don't buy into the Hollywood scene.

I love having 30 shots of every scene.

Generally I just pick music that I like. That's the part I really enjoy: When I get permission for the songs I want and put them into the scenes. It's always hard when you're doing a low-budget film, so it's great when you can get all the music you want to get.

I always choose music based on whatever the scene calls for, or whatever my mood is supposed to be.

Don't be late to the theater. The opening scene is a goody.

This s - t [smoked on scenes] called Wizard Smoke. I didn't like it. [James] Franco didn't have that hard of a time with it. Franco will smoke anything.

Webcomics are much bigger than any one scene can circumscribe.

I created my own concept art and went in and did a 90-minute presentation that cost me a lot of money.And, the great thing is though, when I got the job, they had to buy all of it from me, because one of the set pieces in the middle of the movie was the scene I wrote, and they needed to own everything because a lot of it ended up being the movie we made, so I got all my money back. I was committed. I was going to outspend every competing director.

Talk about high school and what we identify with in the play; things that have happened to us and all of our high school experiences that we could bring to this. And to talk about what everyone knows in each specific scene.

I'm used to a lot of love scenes. I'm used to something that requires me to kick up my heels and wink-wink, flirt-flirt with a twirl of my skirt.

I had gotten to know the music scene there, and just fell in love with it. I've lived there a little over four years now. There's a charm to Denton. The musicians in Denton are all very talented, but they're also all very accessible and very community-oriented.

You often have a great director who's like, "Well, actually I don't even want to reveal you until the end of this scene" or something like that and it totally changes everything that you thought it was going to be.