Song Quotes - Page 104

Songs are more powerful than books.

I still don't know if I can write songs. I don't think anyone ever knows if they can write songs.

Ever since I've been young I've been fascinated by the human body. I've written songs about it, but you can become quite morbid if you think about it too much - paranoid and a hypochondriac.

Sing, seraph with the glory! heaven is high. Sing, poet with the sorrow! earth is low. The universe's inward voices cry "Amen" to either song of joy and woe. Sing, seraph, poet! sing on equally!

Each song had a different way of coming about. In some, the music was written first while others it was the lyrics. We didn't want to overthink anything too much - we just wanted to, writing-wise, chuck out as many ideas as possible.

In my culture we had songs for everything, and that's lost now. There were songs for when people were born, when they died, when they sowed the field, baked bread and they're gone now mostly. I think we need these songs today. One of the reasons people connect to Wardruna in such a personal way is because there is a need for these songs and for that kind of connection to the nameless. Call it nature, god whatever.

Ah, drink again This river that is the taker-away of pain, And the giver-back of beauty! In these cool waves What can be lost?-- Only the sorry cost Of the lovely thing, ah, never the thing itself! The level flood that laves The hot brow And the stiff shoulder Is at our temples now. Gone is the fever, But not into the river; Melted the frozen pride, But the tranquil tide Runs never the warmer for this, Never the colder. Immerse the dream. Drench the kiss. Dip the song in the stream.

I'm an old-school, embarrassing Joni Mitchell fan. Her music made a hook in my soul and hasn't let go for all these years. I even sing her songs as lullabies to my kids.

That's part of the curse: If you're gonna play the song, you better play it. I've tried to phone in 'Jeremy' a few times, and it's tough. It doesn't work.

[Louis Armstrong] could play a trumpet like nobody else, then put it down and sing a song like no one else could.

Silence is Golden; it has divine power and immense energy. Try to pay more attention to the silence than to the sounds. Paying attention to outer silence creates inner silence: the mind becomes still. Every sound is born out of silence, dies back into silence, and during its life span is surrounded by silence. Silence enables the sound to be. It is an intrinsic but unmanifested part of every sound, every musical note, every song, and every word. The unmanifested is present in this world as silence. All you have to do is pay attention to it.

What are these voices outside love's open door Make us throw off our contentment, and beg for something more? I'm learning to live without you now But I miss you sometimes The more I know, the less I understand All the things I thought I knew, I'm learning again

If I should stay I would only be in your way So I'll go, but I know I'll think of you each step of the way And I will always love you I will always love you Bitter sweet Memories That's all I am taking with me Good-bye. Please don't cry We both know that I'm not What you need But I will always love you I will always love you.

Breaking up monotony is key to life and it doesn't matter whether I'm stacking shelves or writing songs, if I was doing the same thing every day I just couldn't take it.

She looks like a fairy tale, but yet feels so natural (natural, natural, natural) This one's a beast, but way to wonderful to be compared to an animal

You're creating an intimacy that everybody feels, that it's their experience, not yours. I'll never introduce a song and say, now this song is about 'my' broken heart.

Someone recently played me 'Combination Pizza Hut and Taco Bell' by Das Racist. That should be my theme song.

The main issue was deciding what to play: Should it be old Ramones material or new material? I had about three albums worth of new material, but I knew that people would rather hear the Ramones songs.

I think once you've seen a song with a video, it limits your own mind's ability to read into it anything other than what you've seen.

Often I don't know what the song means until it's finished. Sometimes months later. I don't think that's bad. It implies that I don't know what I'm doing but-I think if you're able to follow your instincts, then that's knowing what you're doing.

I've written songs about things that nobody else has ever written about.

What's the last thing a drummer says in a band? 'Hey guys, why don't we try one of my songs?'

What we feel most comfortable doing is playing loud, screaming rock songs.

I'm not that type of musician where I can sit down at the piano and work out a song; I actually really enjoy that process of sitting with somebody and having nothing and then suddenly something starts appearing. You struggle with it, and then suddenly a song starts to appear. Then, you've got to try and muscle it - there's that word again - into something and you do. You tussle with it and play with it and roll around with it and suddenly, magically, something appears.

I don't think there is any such thing as a song that is completely great or good. A lot of songs becomes massive hits that are just mediocre, and other times there are incredible songs that never get anywhere and you always wonder why.