Song Quotes - Page 106

You're the hope in the morning, you're the light when the night is falling, you're the song when my heart is singing, it's your love!

What turns me on about the digital age, what excited me personally, is that you have closed the gap between dreaming and doing. You see, it used to be that if you wanted to make a record of a song, you needed a studio and a producer. Now, you need a laptop.

Look for things marked positive to you, like songs, because all dem things are right.

A song is anything that can walk by itself.

Folk songs are evasive-the truth about life, and life is more or less a lie, but then again that's exactly the way we want it to be. We wouldn't be comfortable with it any other way. A folk song has over a thousand faces and you must meet them all if you want to play this stuff. A folk song might vary in meaning and it might not appear the same from one moment to the next. It depends on who's playing and who's listening.

The people in my songs are all me.

I want to use songs that everybody knows or thinks they know. I want to show them a different side of it and open up that world in a more unique way. You have to believe what the words are saying and the words are as important as the melody. Unless you believe the song and have lived it, there's little sense in performing it. I never wanted to be a singer that

If I made a mistake in singing a song or in the script, I could have some fun with it, then retain any of the fun that sounded amusing.

In every song I write, whether it's a love song or a political song or a song about family, the one thing that I find is feeling lost and trying to find your way.

The 'Billionaire' song is what my kids tease me with. They sing it to me. It's funny.

People sometimes ask me if I would not give anything to be white, I answer, in the words of the song, most emphatically, 'No.' How do I know what I might be if I were a white man? I might be a sand-hog, burrowing away and losing my health for $8 a day. I might be a street-car conductor at $12 or $15 a week. There is many a white man less fortunate and less well equipped than I am. In fact, I have never been able to discover that there was anything disgraceful in being a colored man. But I have often found it inconvenient - in America.

I'm a songwriter, that's what I love.

As long as the songs are strong, I think you can express yourself in any style and have it be soulful and have it be your own voice.

There's 40 or 50 songs that nobody's heard that I've done in between albums. There's a whole evolution from Midnite Vultures to Sea Change that's never been released.

Set your guitars and banjos on fire and before you write a song smoke a pack of whiskey and it'll all take care of itself.

I thought it would be cool to Skype with fans on their birthday and spend, like, a half-hour with them. I did a couple of two-hour Skypes. I just hang out with them and play songs and stuff. At first they're kind of shy, but after a while they open up. I've had a lot of people tell me I'm doing something no one has ever done before.

When John Lennon left the Beatles and started making music with Yoko Ono, many people scoffed at the idea. How could this talented man with so many hit songs give it all up? Well, we all know it was love, but beyond that, it was a leap of faith to try something new.

I don't have any favourite lyrics. Honestly, all of them I love 'em to death - it's the same with songs. I don't have just one favourite lyric, I love them all.

I just got a new iPod. It's got 80 gigabytes. Because I like to jog for three weeks at a time and I do not want to hear the same song twice.

I was in my dad's church, his Baptist church, and I think the first song I ever performed was 'Jesus Be a Fence Around Me.'

Benny and Bjorn, I suppose, already had an idea of which one was going to sing the lead. I mean, they knew perfectly well our ranges and which kind of voice they wanted on a specific song. And sometimes, I envied the choice of Agnetha, I must admit.

These days I keep a journal, so I'm constantly sketching down my thoughts, or lines that come to me...ideas for songs. And then when I have a moment to myself, I'll sit down with my guitar and open my journal, and start kind of massaging things together, and see if a song takes shape. Or sometimes, I'll just be hanging out with my guitar and come up with a chord progression or a lick, and that'll sort of sit around for a while waiting to marry itself to some words. So it's sort of haphazard and it's like...junk culture. I go around finding shiny objects and I glue them together laughs.

Art, if it can be ascribed value, is most valuable when its beauty (and the beauty of the truth it tells) bewilders, confounds, defies evil itself; it does so by making what has been unmade; it subverts the spirit of the age; it mends the heart by whispering mysteries the mind alone can’t fathom; it fulfills its highest calling when into all the clamor of Hell it tells the unbearable, beautiful, truth that Christ has died, Christ is risen, and Christ will come again. None of these songs and stories matter if the beauty they’re adding to isn’t the kind of beauty that redeems and reclaims.

I had this idea when I was in the hospital, .. It seems like every year I always have different people come and ask for a Christmas song and it seemed strangely appropriate for me this year because Christmas is the time that I am supposed to be sort of back and up and running and whatnot. So I just wrote a song about returning from this very interesting journey and kind of getting back to normal and getting back to work and my regular life.

They seldom looked happy. They passed one another without a word in the elevator, like silent shades in hell, hell-bent on their next look from a handsome stranger. Their next rush from a popper. The next song that turned their bones to jelly and left them all on the dance floor with heads back, eyes nearly closed, in the ecstasy of saints receiving the stigmata.