We are the folk song army, every one of us cares. We all hate poverty, war, and injustice unlike the rest of you squares.
In both word and deed, one of the greatest idlers of all time was John Lennon. In his songs we see repeated defences of simply lying around doing nothing.
I'm a keen musician. Me and my mates have a great times jamming and recording stuff. We have a great band behind us and have turned my nursery-rhyme songs into quite credible pieces of music.
The first song I sent over was Up All Night. People say that sounds like Angels on a Blink record. Well, no - that's just me!
I'm sick of being known as the sexy guy that writes great songs.
Then on to all the terrific american songwriters, from Tin Pan Alley to the Beatles, from Bob Dylan to Paul Simon. Whoever wrote and sang in the song form I have appreciated.
That was the reasoning behind learning to play bass, and then after that it was more like it was neat to play songs together - for me to play bass and for him to play guitar
I had to be at least 8 or 9; I was listening to everything on the radio. You name it, I heard every song.
After that I didn't listen to music as much because '70s music just wasn't... I remember all the songs, but it wasn't because I was into them, you know what I mean?
In classical music, love is based on bitin' -- imitation. It's not based on interpretation. A jazz musician, if he plays someone else's song, has a responsibility to make a distinct and original statement.
My first gig, I was about 17 or 18. But I'd been singing a long time. I got a guitar when I was 8, and started trying to write songs as a teenager.
We had our unhappy moments but they got channelled into the kind of sadness that was necessary for singing a song about going nowhere. So it worked out very well I think.
When I was about 13 or 14. I was in a Kingston Trio type group. We evolved into the New Breed. Our first song on the radio was "Green Eyed Woman," not to be confused with "Green Eyed Lady".
Steeping my life in beauty brings color to my days and a song to my heart
The issues of poetry, and music, and dialogue with one another is the essential thrust of any song. The breakdown becomes the epoch, the language, the cultural tapestry from which it's echoing, if you will. I often say it's the eyes of the poet's and the ears of the composer's. This narration is what fascinates me endlessly.
To say that we have a clear conscience is to utter a solecism; had we never sinned we should have had no conscience. Were defeat unknown, neither would victory be celebrated by songs of triumph.
When the bus or the plane rolled or flew through the night, they sang songs of their own composition about Mr Nixon and the Republicans in chorus with the Kennedy staff and felt that they, too, were marching like soldiers of the Lord to the New Frontier.
In my world, history comes down to language and art. No one cares much about what battles were fought, who won them and who lost them - unless there is a painting, a play, a song or a poem that speaks of the event.
When you're all singing together, it brings things together. I know the songs that my grandfather and my father sang.
I love songs. Songs are my favorite things.
I love the sad songs with their maudlin, self-deprecating, almost funny lyrics. As an Englishman, they make a lot of sense.
I play the living hell out of my guitars daily, and as sure as the sun rises in the east, killer licks, ideas, grooves, patterns and songs erupt every time.
When we're falling in love or out of it, that's when we most need a song that says how we feel. Yeah, I write a lot of songs about boys. And I'm very happy to do that.
I'm not afraid to write my feelings in songs.
You should vote for Neoprene Byzantine in the Hot Hundred, they're really sweet guys and that Moscow song is just wow! Hurry guys voting closes really soon mwah!