As an improviser I'm now pretty comfortable with trios, so I'm thinking of working up to quartets.
A marriage is not primarily a duet but a holy trio.
I've been invited to do a trio with a fantastic jazz guitarist and a harmonica player
I'm very fond of the Talent series, and also the Crystal Singer trio.
The trio is the biggest sound you can have with the smallest unit.
When I was in high school in the '50s you were supposed to be an Elvis Presley, a James Dean, a Marlon Brando or a Kingston Trio type in a button-down shirt headed for the fraternities at Stanford or Cal.
When I was about 13 or 14. I was in a Kingston Trio type group. We evolved into the New Breed. Our first song on the radio was "Green Eyed Woman," not to be confused with "Green Eyed Lady".
In my own recent String Trio I attempt to superimpose two quite different sets of formal strategies, both of which, ultimately, refer back to historical precedent.
I started out by myself, but it eventually turned into a trio by the mid-'60s - a conga drum and another guitarist. And that's been mostly what I've worked with most of the time.
When I was seven years old, I was leading a quartet and trio, and that really laid the groundwork for me as a musician.
Charles Pierce, Bea Arthur, and I were like a terrible little trio.
I was with a folk trio back in '63 and '64, and we traveled all across North Africa, Israel, and Europe.
Kingsley Amis was one of a trio of brilliant comic novelists who made English literature sparkle in the twentieth century.
In the native world, major gods come in trios, duos, and groups. It is the habit of non-natives to discover the supreme being, the one and only head god, a habit lent to them by monotheism.
Bush, Blair and Rumsfeld; they are the funny trio.
Psy Free was a trio consisting of guitar, organ and drums. I was the drummer. We did what the name suggests: psychedelic, free music.
