Song Quotes - Page 162

The way I choose to show my feelings is through my songs.

I always wanted to sing, I always loved to sing. As a child I was singing all the time, and my parents were singing all the time, but not the traditional songs because they were very Christian; the Christian Sámis learnt from the missionaries and the priests that the traditional songs were from the Devil, so they didn't teach them to their children, but they were singing the Christian hymns all the time. So I think I got my musical education in this way. And of course the traditional songs were always under the hymns, because it doesn't just disappear, the traditional way of singing.

Richard liked to say he picked things up for a song, which was odd, because he never sang. He never even whistled. He was not a musical person.

Jonas' music is inspiring, energizing, and spiritually uplifting. A brilliant songwriter, he writes music that reaches deep into the soul and awakens the best and highest in all of us. And Jonas delivers his songs with a power, joy, and grace that last long after the last note is played. The world needs this music!

At a certain age, we have already been struck by love; it no longer develops alone, according to its own mysteries and fateful laws while our hearts stand by startled and passive. We come to its assistanceRecognizing one of its symptoms, we recall, we bring back to life the others. Since we possess its song engraved in its totality within us, we do not need for a woman to tell us the beginning--filled with admiration inspired by beauty--to find the continuation.

My next record I really just want it to be a collection of great songs, classic songs in a way.

I wouldn't have made it past the first round of American Idol auditions. It was months before our first song was recorded. The guys were like, 'Just seeng!' And I was like, 'I don't know how to seeng! Can't I just play the triangle?'

Blues are the songs of despair.

Behind the violence of the birthing of galaxies and stars and planets came a quiet and tender melody, a gentle love song. All the raging of creation, the continuing hydrogen explosions on the countless suns, the heaving of planetary bodies, all was enfolded in a patient, waiting love.

I'm someone that examines culture and tries to break down why things are the way that they are whether its hip-hop music, sex, race, or consumerism. I try to examine it and scrutinize it to the point where I can write a song.

I was never just a 'fill in 16 bars on a beat' rapper. I was making real songs from the jump.

I flood the Internet with what I think is quality content. That's why I did things like giving out a song every 100,000 Twitter followers because I am just looking for ways to get my fans to hear all this music without over saturating things.

Music that was made in the 60s and 70s did come from a really soulful place. The seed for the songs written in the 90s were planted in those songs, even though they were samples.

The songwriting style, to me, is superior. There was a certain amount of joy in it, no matter how sad the song is. You get joy in listening to these Buddy Holly or Roy Orbison sad lyrics. I'm attracted to songs that have balance between the darks and the lights and giving them all equal opportunity.

It might be a meaningless moment, but those sparks that ignite the song.... It's mystical maybe, those magic moments. And to make music for a living, to perform these songs over and over, you have to safeguard those sparks. If you can do that, they'll last a lot longer.

I do dumb stuff, like playing my favorite dumb Barry White song and lip-synching into the mirror so it looks like his voice is coming out of my mouth.

Singing your own songs is all about individual expression

When I first was trying to play the clubs around Houston to start playing my own songs, songwriters like Eric Taylor and Vince Bell and Townes Van Zandt and Don Sanders were just really encouraging to me and would let me sit in with them during their sets and introduce me to the person that owned and booked the club.

Da Pak was a group out of Chicago. It was a put-together group. We actually met for the first time at this showcase. They were like 'Yo, you should do a song together.' So we did. It just so happened that the name of the song was 'Wolf Pak.' They said, 'Y'all should be a group called Da Pak, and here's a record deal.'

Just take me home where the mood is mellow And the roses are grown M&M's are yellow And the light bulbs around my mirror don't flicker Everybody gets a nice autograph picture One for you and one for your sister Who had to work tonight but is an avid listener Every song's a favorite song And mics don't feed back.

Someone gave me Roman Candle from Cavity Search when it came out. I was just starting to do A&R in the record business, and I remember being in my Volvo 240 in Silverlake, which is every bit the cliche it sounds like, sitting in front of my house playing the songs over and over again. It was the punkest record I had heard in so long.

I felt alive when I read a script and acted out a scene, or sang a song. It was my dream. I'm just very lucky that I'm still doing it and able to earn a living from it.

I think it's always important to constantly keep the band on their toes and try new things that you hope will work. That's how 'Apologize' was born, and maybe down the line another little song will be born by that mentality. I've always really liked that song.

When I'm writing a song, it's just me and the songwriters. Then when the song is done, there are publishers that hear it, then people in my management, then my wife and my boys and my friends, and if they're all lovin' it, it's kind of withstanding all the criticism I need.

'Tailgate Blues' is kind of a lyrical masterpiece of a country song.