Song Quotes - Page 224

I soared above the song birds And never heard them sing I lived my life in winter And then you brought the spring

Most people don't listen to classical music at all, but to rock-and-roll or hillbilly songs or some album named Music To Listen To Music By.

Desire is our imprisonment. The man who wants nothing, who is absolutely contented as he is, is free of all bondage. He has attained to ultimate freedom, nirvana - and that is the goal of life. And it is only by attaining that freedom that you will know the significance of being, the song of being, the celebration of being. Your life will become a continuous bliss, and not only that YOU will be blissful, you will be able to bless others too. The whole existence will be blessed by you, by your very presence.

When sadness comes, accept it. Listen to its song. It has something to give to you. It has a gift which no happiness can give to you, only sadness can give it.

I live my life in widening circle That reach out across the world. I may not ever complete the last one, But I give myself to it. I circle around God, that primordial tower. I have been circling for thousands of years, And I still don't know: am I a falcon, A storm, or a great song? [I, 2]

It's the great male fantasy-all it takes is one dance to know that she's the one. All it takes is the sound of her song from the tower, or a look at her sleeping face. And right away you know-this is the girl in your head, sleeping or dancing or singing in front of you. Yes, girls want princes, but boys want their princesses just as much.

I have spent many days stringing and unstringing my instrument while the song I came to sing remains unsung.

Great songs aren't written, they're rewritten

I've really been writing a lot of country songs. I used to get criticized for doing a 'Bump Grind,' then turning around and doing a gospel song. But the truth is I'm glad I have a gift that allows me to switch lanes.

[My muse] likes to inhabit tea leaves, sunlight filtered through bamboo, melancholy clouds over the Devon coastline, a weedy railroad crossing in the Southern States, bubblegum pop from the sixties, torch songs from the forties, undersea caves where B-movie octopi grapple with men in loincloths, sacred groves of pink anime dryads, Victorian fairy paintings executed by gentlemen in lunatic asylums and so on.

I always loved all kinds of music. I would watch musicals a lot as a kid, on TV, watch the Fred Astaire movies. I'd watch 'The Wizard of Oz.' I was a big Jerry Lewis fan, and they'd have these big bands and someone singing - some siren, or some guy singing some gorgeous song. I was always enamored of that style of music.

Being a recording artist and having thousands of people listening to your music and singing your songs, and paying for it? It feels great!

I long ago learned that you can't expect people to interpret the songs in the way they had meant for you, as the writer.

My mother carried on and supported us; her ambition had been to write poetry and songs.

I found a deep kinship between Mahler's recurrent attempts to confront all sides of life and to affirm himself in the face of his own finitude, and Aschenbach's dedication to persevere in the literary evocation of beauty. Exploring this kinship led me to reflect on many of Mahler's songs and symphonies - and particularly his great masterpiece, Das Lied von der Erde. The end result was a way of reading Mann that I hadn't originally anticipated at all.

Throughout history the leaders of the countries have been very particular about what songs should be sung. We know the power of songs.

A song is like a picture of a bird in flight; the bird was moving before the picture was taken, and no doubt continued after.

...in song the words tend to lose their significance, do often lose it, while at the other extreme, in current prose it is the musical value that tends to disappear - so that verse stands symmetrically, as it were, between song, on the one hand, and prose on the other - and is thus admirably and delicately balanced between the sensual and the intellectual power of language.

I like them all. They're all pictures of me when I wrote them. I have no favorite songs.

My favorite music to sing would be my own songs, my original songs, just because I know them, you know I write the tunes, so my favorite songs are the newest ones that I write. That's what I like to sing the most, because it means something, it's real, it comes from me.

Sometimes you write a song in a certain era and it's got a certain kind of significance.

I think it's something to do with the structural quality of the songs. We weren't actually trying to make stuff that was cool, or of the moment, although a lot of it was. We were trying to make stuff that was good enough to stick around and lo and behold, it has.

I'm only 49 years old. I'm still in the middle of this whole thing. I don't feel like it's finished at all. I'm still planning to write better songs.

The most important ingredient to making a song work is the magic. You've got a melody, you've got words, but on the more successful songs, there's a sort of magic glow that just happens and you can feel it happening. It just makes the songs sort of roll out.

Often I have to move my body in a certain way, like exercising, to begin to get into the right rhythm for writing a song.