Song Quotes - Page 221

I can't say that I'm always writing in my head but I do spend a lot of time in my head writing or coming up with ideas. And what I do usually is write the music and melody and then, you know, maybe the basic idea. But when I feel that I don't have a song or just say, God, please give me another song. And I just am quiet and it happens.

I'd like to sing you a song now about my old girlfriend. It's called "They'll Find Her When the Leaves Blow Away 'Cause I'm Not Raking 'Til Spring."

I called to wish you an unhappy birthday because you're evil and you lie and if you should die I may feel slightly sad, but I won't cry.

Almost all the shows I've been connected with have been extremely well cast. They're playing the show, not just doing the songs.

[Kino] worked really well as a song title, and to build into a lyric, and also how we embraced mulit-media at the time.

I don't really know where the songs are coming from often. Many of the best things I made up were just off the top of my head.

I see rock music as the best example of modernday storytelling that exists in our society. Songs are narratives that help the listeners cope with the reality of life that can't be easily spoken about in everyday conversation. It is a hugely powerful process of helping people find themselves through music.

Instead of feeling like there's two or three of us in this town of hostile crackers, I'm in a big church filled with people who believe the same thing I believe and the power of song is raising what we're trying to do, raising it up to the rafters.

It is my heart that's late, it is my song that's flown.

In the past, I've written my songs and then asked friends if they could record the vocals. I didn't want to use my own voice, because other people have much better voices. I was hearing the music with a voice that I don't have. It was a case of pulling whatever resources I had to get the sound I wanted, but that doesn't take anything away from the authorship. They are songs written by me that sound the way I want them to sound. Whether it's my voice or someone else's doesn't make a difference to the music.

You know the John Lennon song 'Imagine'? 'Imagine no possessions, no religion'? That's what it was like in Cambodia. The only thing people had was a spoon, for eating the daily pourridge. And that pourridge was grossly insufficient for the work they were made to do in the fields.

I seek out songs that I believe in. You have to believe it in your heart first. Then the listener will believe it.

A song ain't why people kill cops.

I come from a place of darkness when I write because I'm always trying to figure things out. It's kind of like my own therapy when I write music. It's me working through my own problems hopefully. And putting it into a song.

As far as I'm concerned, I'm now in the business of making spiritual records and using my voice for that purpose. I'm not going to be singing songs that I made in the past. I closed the door on that incarnation of Sinead O'Connor.

You sounded like someone who should be singing on a cruise ship. Halfway through your song, I wished the ship was sinking.

If you listen to a language for 15 minutes, you know the rhythm and song.

Stylistically speaking I would put us in the pop/rock vein. Although our songs tend to have a darker or moodier current running through them than usual pop/rock. I would say our music is very honest. We're not trying to be anybody or anything for anyone

It was missing a piece. And it was not happy. So it set off in search of its missing piece. And as it rolled it sang this song - "Oh I'm lookin' for my missin' piece I'm lookin' for my missin' piece Hi-dee-ho, here I go, Lookin' for my missin' piece.

Beauty imposes reverence in the Spring, Grave as the urge within the honeybuds, It wounds us as we sing. Beauty is joy that stays not overlong. Clad in the magic of sincerities, It rides up in a song. Beauty imposes chastenings on the heart, Grave as the birds in last solemnities Assembling to depart.

I really enjoy the therapeutic value of writing songs.

Capitol Records were very keen for me to write and see how I got on; I think that is what defined my sound. The first session I had was with two young up-and-coming writers, Nick Atkinson and Tom Wilding, and I went into a session a bit nervous because I hadn't written that many songs before.

What I always look for in just about any band or artists I sign is their songs.

If I had more time, I could've utilized the stage more and turned it into my own but since I used all my energy writing and producing songs, my mind was blank when it came to my performances. That's what I regret the most.

Without death,' he answered, 'life is meaningless. It is a story that can never be told. A song that can never be sung. For how would one finish it?