Song Quotes - Page 233

When people see you have a song on MTV, they think you are doing well - but you know, the way the traditional label deal was set up, it is really hard for an artist, unless they sold a lot, to see anything.

Songs lay a foundation of who I am going to be forever.

I think "artistic" simply means there's more of the creator in the thing. Whether it's painting or song or movie or game, the creator puts more of themselves into the piece, so when the audience see it, they feel something real, they feel something human, they feel something that's like a person.

Music and time have such an interesting relationship. Music makes time fall away like almost nothing else. You hear a song from another moment of your life and it really is like you're still there. That's why the music of our youth ends up being particularly powerful. The coming of age music that you grab a hold of as the symbol or the expression of your independence and hopes for the future and anger and rebellion or whatever it is you're feeling is so powerful for the rest of your life when you hear it.

When "Search and Destroy" by the Stooges came on as a Nike shoe commercial, I got physically sick. That song meant the world to me, and I didn't feel this was the way it ought to be used.

When you do a song new live on stage, it's kind of a bit weird until it gets worn in, you know, like oiled up a bit. It's still a little bit stiff until you really thrashed at it for a few weeks.

Yeah, I've been interested in music since I was a teenager, always writing songs.

No. Take the heart first. Then you don't feel the cold so much. The pain so much. With the heart gone, there's no reason to stay your hand. Your eyes can look on death and not tremble. It's the heart that betrays us, makes us weep, makes us bury our friends when we should be marching ahead. It's the heart that sickens us at night and makes us hate who we are. It's the heart that sings old songs and brings memories of warm days.

When I find myself having that much trouble with a song or a character or a story, I tend to move on.

Except in these latter-day songs, [Bob] Dylan is a grizzled old prophet who's already been to hell and back.

In the earlier days I did most of the song writing by myself, and I got to a place in my life where I felt it was necessary to go outside my box and get some outside inspiration.

To look for some kind of insight or meaning in pop songs is not really - well there's plenty of other places where you should probably look first before you start looking for it in a pop song.

I can't predict what songs will do to the collective consciousness.

When I was a child, I was referred to as the Danny Kaye of the family, because I was always impersonating and mimicking people. I was a song and dance man.

If you say, 'I'm going to cut this song because I know the teenagers are going to love it,' well, then you're going to alienate everybody else. When I cut my record, I'm just going to cut the things that I like, and whoever likes it, likes it. That's too much work to try to figure out the demographic. That's too much like a business.

I've never been one for keeping a journal, so my songs were my journals. They allowed me to express my feelings and let people know what was going on with me. I knew that somebody would relate.

There are two things that really move me: music and acting. And I'm not talking about my music or watching myself as an actor, but listening to other people's music and watching other actors. There are so many different songs that have moved me. It all depends upon the mood that I'm in at that moment.

I hear pounding feet in the streets below And the women crying and the children know That there's something wrong And it's hard to believe that love will prevail Oh it won't rain all the time The sky won't fall forever And though the night seems long Your tears won't fall forever

Even a song on the radio that completely lacks substance is there for a reason. Sometimes, people need a break from cold reality; the song that you really don't have to put that much thought power into can be just as entertaining as something that might take you on a three- or four-minute cruise through the depth of reality.

Again, now, now, again Plashes the rain in heavy gouts, The crinkled lightning Seems ever brightening... And loud and long Again the thunder shouts His battle-song, - One quivering flash, One wildering crash, Followed by silence dead and dull, As if the cloud, let go, Leapt bodily below To whelm the earth in one mad overthrow, And then a total lull.

All birds during the pairing season become more or less sentimental, and murmur soft nothings in a tone very unlike the grinding-organ repetition and loudness of their habitual song. The crow is very comical as a lover; and to hear him trying to soften his croak to the proper Saint-Preux standard has something the effect of a Mississippi boatman quoting Tennyson.

More than a career, I feel that I've got a function. I see things in a much more holistic way. Some people bake the bread, and some people write the songs.

Old Tom Bombadil is a merry fellow, Bright blue his jacket is, and his boots are yellow. None has ever caught him yet, for Tom, he is the Master: His songs are stronger songs, and his feet are faster.

The future, good or ill, was not forgotten, but ceased to have any power over the present. Health and hope grew strong in them, and they were content with each good day as it came, taking pleasure in every meal, and in every word and song.

You could say singing is in our genes. Both our parents sang and made up songs constantly.