Song Quotes - Page 231

If you stay up, you get the songs that everyone else misses because they're asleep.

But I love to write music. What I would love to do is give some of the songs I write to someone like Taylor Swift because I feel like she could sing them.

Even at the time, I realised this couldn't be right, that this interpretation didn't fit with the rest of the lyrics. But that wasn't an issue with me. The song was about what I said, and I used to listen to it again and again, on my own, whenever I got the chance.

There is a string attached to Maia Sharp's voice. And when she sings, you find that the other end is attached to your gut. Her voice is lush and sensual and the emotions she articulates resonate with the small feelings we have that sometimes are hard to face..there is an edge to her songs, but also a softness...she is lyrical and conversational at the same time. Her CD was the only one in my machine for a month. Her work inspires me to dig deeper.

I always choose songs that I have an emotional connection to, and I often feel myself getting very emotional when I sing.

I started playing guitar and writing songs when I was 15. I think what mainly sparked my interest was just the fact that I grew up listening to Cheryl King, Joni Mitchell, and James Taylor, and was just always inspired by that sort of organic art, and organic songs and just very natural songwriting that came out of some of those artists.

[My favourite song is] "All Along the Watchtower." The Jimi Hendrix cover.

They say, he must had an angel, cuss look how death missed his ass. Unbreakable, what you thought they'd call me Mr. Glass?

I don't know what's better gettin' laid or gettin' paid.

Breath of the winds; dancing flame; peace of the earth; song of the waves.

It's that feeling when you hear your favourite song. That feeling, whether you're in a car, at a party or alone at home or in bed and you hear this song and it just hits you so strong - that’s what we aim for.

Writing a song is a personal thing, and you have to have a lot of trust to try things and not be embarrassed.

Now that I know that each star has its path, each bird is finally feathered and grown in the unbroken shell, each tree in the seed, each song in the life laid down - is the night sky any less strange; should my glance less follow the flight; should the pen shake less in my hand.

There is a silver lining to every cloud and there's some awesome songs that have come from some really like bad experiences, but they're great experiences 'cause then I've got some good songs so it's all good for me.

If I could be a doctor and save lives I would, but I can't so I sing songs.

Musically, I would never run dry. Any time I sit down to an instrument, I could write a song.

Even if it's just a little thing, something like a song, there's still that sort of common language, that common denominator that we can all relate to.

Actually think anybody ever approaches writing any song, I think the song approaches them, truth be told. Usually what happens is that a song arrives and afterwards you say that "I wrote the song," and it's not actually true; they find you, they write themselves.

New songs are why artists go on the road. That's why I go on the road. It's a three-prong play. Writing: You're intrigued. Recording: It brings it to life. And then you want to share it.

I sang 'American Pie' a lot in my stage set. It had a knack of uniting an audience in a sing-along. It's a clever song about American history but wrapped in a fantastic tune.

I sort of just wrote the songs, the way I wanted to write them, sing them the way I wanted to sing them, perform the way I wanted to perform.

People say to me, 'Do you dye your hair?' and I say, 'Well, does f**king Siouxsie Sioux? Does Bowie?'. Of course I'm going to have a decent haircut. It's one of the first things I learnt to do - get a few songs together and get your hairstyle right.

When I finally stopped [singing], he had been saying, like, the last day or so, he'd been saying, now, I think we should put this one in the album. So without him saying I want to record you and release an album, he kept - he started saying, let's put this one in the album. So the album, this big question, you know, began to take form, take shape. And Rick [Rubin] and I would weed out the songs.

I always loved those songs. And with my high tenor, I thought I was pretty good - you know? - almost as good as Dennis Day.

Within your own generation-the same songs, the same wars, the same attitudes toward those wars, the same rules and radio shows in the air-you can gauge the possibilities and impossibilities. With a person of another generation, you are treading water, playing with fire.