Song Quotes - Page 250

If you want to be a songwriter and place a song with a popular artist, then it's ok to follow the trends. This is mainly because many labels are afraid to take big risks on something that sounds too different than the status quo.

The golden rule would be to write a great, authentic song that is well produced and it will find its home. The audience can feel whether or not the artist is being genuine in their music. It's up to the artist to have the courage to reveal their truth through their songs.

There is a lot of incredible talent out there, however, talent alone is not enough. Being a great singer does not matter, if you are not singing great songs. Having great songs will not be obvious to record executives if they are not professionally produced. Consistently performing those songs extremely well is essential.

Hey there's not a cloud in the sky It's as blue as your goodbye And I thought that it would rain On a day like today Hey there's not a cloud in sight It's as blue as your blue goodbye And I thought that it would rain The day you went away He's on the buses and the aeroplanes With some groceries and a sleeping bag

I go among trees and sit still. All my stirring becomes quiet around me like circles on water. My tasks lie in their places where I left them, asleep like cattle... Then what I am afraid of comes. I live for a while in its sight. What I fear in it leaves it, And the fear of it leaves me. It sings, and I hear its song.

It's always a live experience - anything that happens around you. It's so easy to just put it to a song.

If you have a song that you think sounds like another song you should contact the publishing company and say I have a song here, let's cut a deal that lets everyone walk away feeling good.

You don't actually have to understand the song to be emotionally moved and uplifted, whereas with language it becomes quirky and analytical.

But there's a thin line between songwriting and arranging.

I write each song individually and each one calls for individual musicians, You sit around and wonder who can we get to play a Neil Young solo, and then you realize there`s a good chance you can get Neil himself.

... you should wait until the book is finished before making a judgment on its content. By the time you have gone through twenty drafts, the characters may have developed lives of their own, completely separate from the people you based them on in the beginning. And even if someone, at some time, gets upset with your words - so what? Live your life, sing your song. Anyone who loves you will want you to have that.

When I play stuff for my wife she'll be like, "No, not that song. No way."

Yes, she is the fruit that will Sustain me and yes, she brings A rain that I know can chill But it is a rain so sweet and sings A song my soul insists That I follow, if I would exist As more than I have ever, ever been If my mother calls it evil, then I embrace the sin

Now I will do nothing but listen to accrue what I hear into this song. To let sounds contribute toward it. I hear the sound I love. The sound of the human voice. I hear all sounds running together.

Sometimes with one I love, I fill myself with rage, for fear I effuse unreturn'd love; But now I think there is no unreturn'd love—the pay is certain, one way or another; (I loved a certain person ardently, and my love was not return'd; Yet out of that, I have written these songs.)

What needs to be discharged is the intolerable tenderness of the past, the past gone and grieved over and never made sense of. Music ransoms us from the past, declares an amnesty, brackets and sets aside the old puzzles. Sing a new song. Start a new life, get a girl, look into her shadowy eyes, smile.

Music-hall songs provide the dull with wit, just as proverbs provide them with wisdom.

The Three Wiseman: The weather has been awful, The countryside is dreary, Marsh, jungle, rock; and echoes mock, Calling our hope unlawful; But a silly song can help along Yours ever and sincerely: At least we know for certain that we are three old sinners, that this journey is much too long, that we want our dinners, and miss our wives, our books, our dogs, but have only the vaguest idea why we are what we are. To discover how to be human now Is the reason we follow this star.

I can't say no. But I did say, "OK. But have another song just in case."

I used singing as a safety measure. I would pay attention to what songs the popular girls liked, learn those songs from the radio or library cassettes, and then "accidentally" sing or hum these songs in class. This would impress the girls, who would then defend me from the boys.

To evade such temptations is the first duty of the poet. For as the ear is the antechamber to the soul, poetry can adulterate and destroy more surely then lust or gunpowder. The poet's, then, is the highest office of all. His words reach where others fall short. A silly song of Shakespeare's has done more for the poor and the wicked than all the preachers and philanthropists in the world.

I did a smaller gig with an acoustic guitar and a drum machine. In one song, something wrong happened with the drum machine. I tried to cover up the mistake by playing faster and improvising a new song but it became crazy, and I had to admit it was all a mess.

American films are terribly popular all over the world and American movie stars are terribly important. I don't know why.

I've been doing that song ["Live Wire"] on my own for years, so no, I'm not worried about [high notes] at all.

Everything I've done feels like I'm just as much a part of it as if I was the producer. It's still the same job: all of us together figuring out the common good for a song. That's the only thing that matters. It's not like, "I'm the boss, and I'm gonna tell you what to play."