Song Quotes - Page 301

I've always hated narrative songs. I hate those songs where, basically, it's an unfolding of a story.

The actualising of God through the medium of the love song remains my prime motivation as an artist.

Sometimes the song isn't strong enough to contain the fiction, because memories are fictions.

I write a lot, and very often I write a couple of lines that are particularly revealing in some kind of way. And then as a few more lines get added and a piece gets added, eventually the song pretty much takes over and you can't really find a way to change those things.

I feel like I've spent the last five years of my life on the road. It hasn't affected my songs but it's probably affected everything else about me. Obviously, the more you travel, the wilder the things that keep happening to you, the more likely it is you'll get complete strangers knocking on your hotel room door.

Songwriting, I have to take myself away from everybody to do. It's an unsightly act.

I know when I sit with my band members and we're playing back a song that we've done, I know that they're experiencing it in a completely different way and hearing stuff that they're alerted to because the way the interpret the world is through their ears. Mine is through my eyes.

I write songs in batches and then record them and then can't write again for ages. I try and build one song upon another, they may not obviously look inter-related but often one song acts as a springboard into another.

The editing of a song is largely what makes the song for me and I think that actually if I had started going like 'I want you to burn' it would have pinned that song down to a particular thing and made that song a smaller idea than what it is. By leaving that off it's much more open, broader.

The more settled I've become, the more problematic my characters have become. There was a period when I wrote sensitive and gentle songs and these came at a time when life was at its most destructive. I think you write about what you need, on some level.

The big problem with songwriting for me is starting a new song. It's the thing where all the anguish exists, not in the writing of the song, but the starting of the new song.

The nice thing about a protest song is that it takes the complaint, the fussing, the finger-pointing, and gives it an added component of sociable harmony.

I operate in such a vacuum. I write by myself, it's a very solitary experience, and I'm not used to, I've never had a label or anyone to say, "We wanna hear a single, we gotta come back and retool some of these songs until they're more catchy."

I've always got songs ready to go. It's not a challenge to conjure anything, it's just whether the music I supply is desirable.

"Jogging Gorgeous Summer" song was inspired by a general feeling of sunshine, feeling good, sitting in the backseat of a car and hearing a song for the first time on the radio and feeling warm. I went back to the house I grew up in, and the people let me in to walk around. I went into my sister's old bedroom, and on the window ledge there was this little handwriting from my sister, and it said, "Jogging Gorgeous Summer." I thought that was a really pretty phrase.

I can tell what inspired the songs for me, or what I was thinking and feeling at the time. But I don't want that to be the definitive meaning behind the song. I like the idea that people can interpret, even if they're way off base. I'm rambling. I'm not good at talking about my feelings.

Everybody now who's playing in Unicorn band is deeply schooled in music. I'm the only one who's self-taught, which I think is a bit hilarious because I'm leading the band and writing the songs, but I'm surrounded by such overwhelmingly competent musicians.

I like writing stories. That's what I like to do. That's the way I see it, but with every song I get sucked into feeling something.

I wrote a cheesy love song - called "Tender Torture". I guess it's more of a song about being away from someone that you love. It's pretty strange. It's sincere, I guess. It's actually something that I really felt.

Every video you see in the movie we have an entire video of it that will be on the DVD, so the whole video for African Child, the whole video for Super Tight, you know the Jackie Q songs.

We have tons of live performances that we're putting on there. We have music videos. There's a music video for the song called I Am Jesus what is one of the funniest music videos, like we just could not find a place for it in the movie, but it's like crazy funny. And we have the whole video.

Change not only was inevitable, but usually brought its own rewards.

and in that instant, nothing else mattered. Not the song, not the place, not the other couples around him. Only this, only her.

I'd love to try and teach Donald Trump how to write a song. I'd love to put him in a room with another person - someone who's protesting him at the Women's March. I'd put the three of us in a room and all write a song together. If that can happen, it proves we can get over our differences.

Hip-hop is more than music, it's a culture. It's bigger than hit songs.