Song Quotes - Page 319

I'm not done writing songs about you yet.

Fro and to in my dreams to you To the haunting tune of the harp For the price I paid when you died that day I paid that day with my heart Fro and to in my dreams to you With the breaking of my heart Ne'er more again will I sing this song Ne'er more will I hear the harp.

Joseph Beringer...dances around behind me singing some poorly rhymed and slightly dirty song about my [racing] odds at my skirts. 'I don't even wear skirts,' I snap at him. 'Especially,' he says, 'in my daydreams.

You're not going to die," I told her, lifting my head to look at her. "I'm not done writing songs about you yet.

[George Michael] is a great songwriter and he makes very classy videos, like me.

My son youngest son David's favorite song - he plays guitar - and he likes "Devil Pray." That's his favorite.

I think love resides in all of the songs, even when they are overtly sexual.

I was working with Toby Gad, who spent a lot of time in India. There's a sitar [in "Body Shop"] and the song has a very Indian flavor to it. I liked the idea of the body of a car as a kind of sexual metaphor - What you do to a car, what you do in a car - drive. So, lots of innuendos, and lots of fun.

I don't doubt love for a second. I'm living for love. Listen to my songs!

The End of a long week with Viking Leader AKA DJ Virgo AKA Avicii! So many great songs! #icantwait #revolution

I wanna kiss you in Paris I wanna hold your hand in Rome

I'm very conscious of developing my singing, technically and stylistically. I want it to become more individual, express more of me. That's my goal. These songs are steps along that way.

I was just learning to play guitar when Tracy Chapman came out. She wrote these songs, she played them by herself and I so admired her for that.

I listened to Billie Holiday a lot in order to learn to sing. She remains one of the extraordinary jazz singers. But my intent is to become my own voice, to be able to interpret these songs in my own way.

A burst of harmony so brilliant that it almost overwhelmed them surrounded Meg, the cherubim, Calvin, and Mr. Jenkins. But after a moment of breathlessness, Meg was able to open herself to the song of the farae, these strange creatures who were Deepened, rooted, yet never seperated from each other, no matter how great the distance. We are the song of the universe. We sing with the angelic host. We are musicians. The farae and the stars are the singers. Our song orders the rhythm of creation.

I'd always thought that if I could get sober and stay sober, I would be able to have a career making music. My drug and alcohol addiction was the one thing holding me back. I had finally gotten the tools to stay sober, and it was just a matter of writing the songs.

As a white male in America, I have privilege. As a white male who happens to be an artist with a fan base, I have a platform to spread awareness about that privilege. However, songs about race and privilege are very difficult to A) write and B) dissect as a listener. They're heavy.

We went on tour with Phoenix. I don't really know anything about Phoenix I'd heard a couple songs. And I thought, I don't really know if I want to go on this, it's kind of weird, kind of a pain in the ass for us. But everyone was like YOU HAVE TO DO IT, it's going to be so good for your career. And I mean I don't know if it was good for our career but the guys in the band were super huge sweethearts.

Going on tour, you don't have a lot of time to mull things over. You're just kind of, "Another beer, another show, another song."

In my head I actually think my songs are pop songs. I think, Damn, that's a pop song! I can practice in front of the mirror with my hairbrush for as long as I want to. But when it finally comes out, it sounds avant-garde to people. Right up until then, though, I think, "Of course everybody feels this way. This song's the same as the Greek national anthem."

I never pigeonholed myself - the only reason you'd want to pigeonhole is to monetize your business and, as a person, I don't see the importance of doing that. My music took off above the rest of those things: You can just make a song, put it on a CD, and get it out to all these people.

There's a bit of hope that a song can be about anything. If you want to write a song about anything, you can, and you don't have to put it through the process of having it be trendy or cool or generic pop or these types.

With homogenized culture, even if you feel frustrated, you'd have to write a Taylor Swift song to get heard.

I get annoyed with movies or books, songs or records that deliberately try to make you feel a certain way.

The production process has a great way of bringing songs to light and that's a big part of it.