Song Quotes - Page 332

You have to love writing a song and architecture. You have to give it a form. It is my job to create a sonic landscape. I like to create ambiance and atmosphere. The writing is the intimate part of it. It is a sketch. The production is the whole painting.

You know, I've always said, I've never felt I was a particularly good singer, but I've always thought I had a great knack for picking hit songs.

Just because people play songs with great technique doesn't mean the records are better.

Maybe I'm a dreamer, but I think the ordinary guy has just as much right to say 'This is a good song' as somebody who is in the music business.

I listen to all the top 20 songs, and top 20 albums, even the rap albums. But I don't like negative messages. If somebody is putting a lot of ego out there, I don't like it. When I make my records I want it to be sincere.

My favorite method of encryption is chunking revolutionary documents inside a mess of JPEG or MP3 code and emailing it off as an "image" or a "song." But besides functionality, code also possesses literary value. If we frame that code and read it through the lens of literary criticism, we will find that the past hundred years of modernist and postmodernist writing have demonstrated the artistic value of similar seemingly arbitrary arrangements of letters.

Everybody has their own way of hearing songs. My fans are usually pretty on point. Sometimes they go all the way to the bottom of it. It's fascinating to me how far an idea can go. I wrote most of my first album in my mom's kitchen, and now I can go around the world and hear people recite those lyrics, and understand the story, even though they're not from the same area I grew up in.

I'm finding none. It's the same thing! It's about rhythms and beats and what connects to what. It's the same; the song has to connect to the story to get from this point to that point. So even though there may not be music in the show there is. You have to follow this delicate score. I don't think there's a huge difference. But, I don't have sore muscles! I'm not sore from dancing all day!

There is a great temptation with songs, melodies and lyrics to overcomplicate them but in fact, you find that the most enduring melodies are often the simplest.

WFMU is so experimental that you can go hours without hearing something that resembles an actual song.

I felt like there was a void in the marketplace in girl groups. Musically, there is something truly exciting about harmonies in one song. A group has more to offer.

As an artist it's exciting to know that you've made someone's life decision after them listening to your song. To get married or un-married, when you realize that people are listening it brings a feel of responsibility that can't be ignored or denied. There's someone watching us. Whether an artist wants to admit that or not.

I didn't really feel any pressure when I've made records, I haven't as yet anyway. I feel when I'm making a record that I'm so excited about making new songs that when I'm doing demos of new songs, as soon as I make one that's really different I get really excited about the record, I don't care about the last record anymore.

I heard the Bloc Party record Japan before it came out in the UK as they are on the V2 record label. I think it has a great vibe and has great songs. I also think the Kings of Leon are right up my street.

We've got a great bench of songs, and the people have a really good time at our Stereophonics's shows. People are the same all over the world. If we can play football stadiums and arenas in one country, there's no reason we can't play them in another country. People are people.

Every song I've written, it's about what I've gone through, good or bad. It kind of comes out of me, and I'm grateful for that. I've got friends who are back home who've got no way to express that, and they're kind of in a different position in life. It's alarming to me that I've written something on my bedroom floor when I was 19 or something, and then there's 50,000 people that know the words, and they've got a similar feeling. If you thought about it too much, your head would blow up.

The culture's changed massively. The kids are different, with the phones and stuff. Even if you like a song, you don't really know who the artists are, it's a lot more faceless, it's a lot less tribal. When we were growing up it was much more tribal - it was rock, it was grunge. Now people like songs, [but] they don't necessarily know the song's origins. I don't know how you would feel angry at the world, or distressed, because most people are constantly distracted or consumed.

The song Dakota was first written in Paris. I was doing a promo trip. It was snowing and the hotel room was really cold and boring and for some reason I just had a go of the guitar and the song came pretty quick.

I know a lot of artists say, `If you want your song on my record, I get 50 per cent' I'd like to kick them in the face.

I stand before you and my heart is in your hands, And I don't know how, I'd survive without your kiss, 'cause you've given me a reason to exist

Even though I hate acting, I love doing videos for my songs.

You don't know a thing about me

I am inspired musically by anyone who can write a song that can bring me to tears.

I would have to say Björk is my dream collaboration. She's just such a character and has such a spirit that is unlike any other artist out there. She's literally on a whole 'nother planet. She's consistently changing and evolving and doing these different wild things with her songs. I think I could learn a lot from a person like that.

If there's a certain song that I want to reach a certain person or certain type of person, that's when I play it for people.