Song Quotes - Page 334

I love characters songs and I love to fit into a story. I love singing through a character's journey.

Hail to St. Aegolius Our Alma Mater. Hail, our song we raise in praise of thee Long in the memory of every loyal owl Thy splendid banner emblazoned be. Now to thy golden talons Homage we're bringing. Guiding symbol of our hopes and fears Hark to the cries of eternal praises ringing Long may we triumph in the coming years. - The Owls of St. Aegolius

I can't constantly be trying to write the unwritten song, the song that the 15-year-old girl needs. I need to write the song that I need.

I really love that I'm giving myself the opportunity finally to not have the pressure of every single song you do having to be "political" or whatever. I'm just making what I wanna make.

I think that it's so powerful for me to go see someone like Bridget Everett at Joe's Pub and watch her weave her songs in and out of these funny, tragic stories - you can talk and sing and it's not this horrible offense, you're going to get thrown in artistic jail.

Every day it gets worse and worse and worse. We just want to get everyone to vote and be a part of the noise. I can't do phone banks because I have to save my voice for stage, so the least I can do is a song.

I got hit up for a tampon commercial and so I asked [JD and Jo] if they had anything. Jo sent that over and I was like, "I love this track. Oh my god. It's so upbeat. It's so positive. It would be so great for a tampon commercial." That commercial never came through, so then I just had it. I was like, "That would be great for a Hillary [Clinton] song." I think it's so funny that it could be a tampon commercial.

I would love to make a bunch of country demos and write country songs for really great country singers.

How many of the original songs survive intact from the slave cabins? Probably not many in their original form. Time has transformed them like light in a prism. What we hope to present is a version of those spirituals, and they speak not just to black Americans, but to people worldwide.

I bring my classical training - some of it, but not all of it - and also my background and culture, to spirituals. And I try to leave room for that unpredictable factor, where the feeling of the song is allowed to come through. The same ethos can be applied to singing Mozart, or Schubert, or Bach. It's not just about what's on the page.

I like sitting in the dark and watching people far more talented than I'll ever be sing my songs and say my words. It's thrilling.

The boys in the office preferred Daft Punk and the song "Robot Rock" as an anthem, speaking excitedly and without irony about wanting to become robots one day. That made me wonder: Why? What's the pull of being a robot?

I have to believe that I know what's best for me. For instance, I choose all my songs. I never record anything I don't want to record. No one tells me what concerts to do.

With 'Believe' bringing really big success for me outside of the U.K. for the first time, it meant I have been touring around the world and that led to a gap from the studio. I really feel like the gap has done me the world of good. Throughout that time I was able to collect songs that I really loved.

I consider myself a songwriter before anything else. The fact that I have been able to write both of my records and establishing myself as a songwriter is super-important to me. Some people have that gift, where they can take on anything and make people believe it. I like to do a song from personal experience.

I am very busy and don't have a lot of down time, but I write my best songs in those situations. I enjoy my life the most when I have a bunch of things going on at the same time.

I knew that going on 'One Tree Hill' was going to be an incredible vehicle for the record. What is amazing about it is that my role on the show is, you know, basically playing a musician, and all the songs she plays are off my record.

My second album was written while I was on the road promoting the first record. I tried to take my personal experiences and elevate them to universal experiences, so that I wasn't writing songs about living on a tour bus or being on a TV set for the first time.

My music is the chicken soup kind. I want people to get a good feeling in their soul from these songs. Roots rock, heartland rock...whatever you want to call it is OK with me.

My main goal as a songwriter is to make something that inspires people. To write things about my life that people can relate to. Whether it's a whole record or just one song for someone, I hope it can do that for them. Knowing that I have the ability to do that is inspiring to me.

I've always had a bazillion songs in my archive, but I want to play people stuff they know. Now that I have two albums' worth of material, that gives me freedom to compose a set that's more well-balanced and build a show rather than just a recital of some songs.

I've always loved punk music, so it was really cool to do my first punk song.

Normally I don't compromise at all but it felt important to give that song the chance to be heard.

Sometimes people mishear my lyrics and think a song's about something it isn't.

When I was singing "King of the Mountain," it was a pivotal point in the show. That's the song that took us from this concert setting of individual songs into the theatrical narrative piece.