Song Quotes - Page 341

There are certain times in a concert when I'll call an audible because I feel like God is calling me to play a different song. But truthfully, I feel called to play for the church whether it's song being played on Christian radio or it's concerts I'm doing primarily in churches.

Oh it gets so lonely When you're walking And the streets are full of strangers

I don't like to make fluffy little songs, but now I want to make some light songs.

What I do is unusual: chordal movements that have never been used before, changing keys and modalities mid-song.

I always thought the women of song don't get along, and I don't know why that is.

I'm a method actress in my songs, which is why it's hard to sing them.

When I was 19 I went to art school. I had six months of teaching myself to play baritone ukulele under my belt so I was sort of a novice folkie... I was singing folk songs at that time.

People used to say nobody can sing my songs but me, they're too personal.

Phillip is a repository of random snatches of film dialogue and song lyrics. To make room for all of it in his brain, he apparently cleared out all the areas where things like reason and common sense are stored.

Atlas, we read in ancient song, Was so exceeding tall and strong, He bore the skies upon his back, Just as the pedler does his pack; But, as the pedler overpress'd Unloads upon a stall to rest, Or, when he can no longer stand, Desires a friend to lend a hand, So Atlas, lest the ponderous spheres Should sink, and fall about his ears, Got Hercules to bear the pile, That he might sit and rest awhile.

It’s a rule that we never listen to sad music, we made that rule early on, songs are as sad as the listener, we hardly ever listen to music.

Instead of singing in the shower, I would write out the lyrics of my favourite songs, the ink would turn the water blue or red or green, and the music would run down my legs.

We were quiet on the car ride home. I turned on the radio and found a station playing "Hey Jude." It was true, I didn't want to make it bad. I wanted to take the sad song and make it better. It's just that I didn't know how.

I asked her, "Are you an optimist or a pessimist?" She looked at her watch and said, "I'm optimistic." "Then I have some bad news for you, because humans are going to destroy each others as soon as it becomes easy enough to, which will be very soon." "Why do beautiful songs make you sad?" "Because they aren't true." "Never?" "Nothing is beautiful and true." She smiled, but in a way that wasn't just happy, and said, "You sound just like Dad.

I don't think a lot of the times Foxygen songs require much editing. Our band rarely records a song and go, "God that sucked. We shouldn't show that to people." We're pretty confident in the way we make music, that rarely falters. We've just been doing it for so long, it's like a science between us. There's not a lot of times where we cut something or decide to not record it.

We're gonna play a little bit of a game here [Person of Interest movie]. Greg and I felt like we had responsibility when we wrapped up the pilot, to have a roadmap for where the show went. When we pitched the pilot, we knew what we wanted the last episode to be, the last image, I think we even know what the last song is.

When I was writing some of songs for the record in Galapagos it was the feeling of being there I wanted to evoke more than anything. I remember hearing all the parts of the songs in my mind when I was walking around over the lava fields.

I do like the old versions of our songs - there are good things in them, but I think that the good things that happen in the new ones kind of outweigh that. The murkiness of the first version of the record was not really what we'd intended. It has sort of a dream-like quality, but I feel like that has been preserved in other ways in the newer versions, as well as the bonus disc.

I had an all-Fear of Music iPod, just versions of the 11 songs from the record. No other songs allowed.

When I write lyrics, I really do go into an automatic folk appropriation mode... I see the vernacular register of 20th century song as being a bunch of forms to adapt and reconfigure.

The challenges change depending on the song. There are some songs where the lyrics are really a challenge and then there are other songs where the lyrics are there and the music is a challenge. And then you've got rock songs where the challenge is the tightness of the arrangement with the band. The music and the lyrics are there, but it's a challenge to get the arrangement correct. So I wouldn't be able to point to one thing. What the challenge is changes all of the time.

"Alleluia" song is a street hymn in the sense that it's all about culture.It's almost a juxtaposition of the prayers of the world and the prayers of the culture and how we sometimes put an "amen" after crazy things. So it's really just that tension between madness and simplicity.

Some of songs are autobiographical and some of it is more telling a story from someone else's perspective. It's healthy for me to do that because, oftentimes, it can become too narcissistic if I'm trying to express myself all of the time. My problems are what I'm going through and sometimes it's nice to take a step back and feel what someone else is going through and that can help.

Sometimes song happens all at once where you sit down and the lyrics and the music just come out. So there definitely isn't one way that it happens - there are a lot of different things that take place.

I'm of Neil Young's generation. Neil Young's songs have spoken to what it's like to be at least a white male of his generation over the years. Endlessly, he's sung about the stuff that I really care about. He's put into words the feelings that hit you at different transitional moments in life.