I know my own limitations. And if somebody says, "I need songs for a cartoon garage band - they look like this and they should sound like this," it gives you a direction. I like having that kind of assignment.
My audition song is, and has been since 1977, 'I Love a Piano.
It's a blessing as an artist to express myself - whether that be via dance, via song or via speech - in so many different ways.
Higher than the perfect song For which love longeth, Is the tender fear of wrong, That never wrongeth.
If the song was upbeat, we'd get out a funky Harry Connick, Jr. album, some Louis Prima big band, or a Bob Wills swing record for inspiration and swing for the fence, hoping to get that 'soundtrack to your life' vibe. And if it was a slow song, we'd go the other way and really make it worshipful.
I've written songs sober and I've written songs high.
We became the songs we wrote.
I think if Unchained Melody does what I think it can do, I think there is an audience out there that would heave a sigh of relief, that finally there is a melody and orchestration, production and a vocalist that is giving them a song that they can just listen to... and not be annoyed by the vocal acrobatics that vocalists seem to think is impressive.
I am nervous that the craft of songwriting is taking a nose dive...And since I'm a songwriter and I connect with an interpretative, you know, interpretation of a song, I miss it. I just miss it.
First of all, I've been having a wonderful run of luck with cover albums, songs I didn't write. I had five pop cover albums and two Christmas albums, and they were all very successful.
To write a love song that might be able to make it on the radio, that is something that is terrifying to me. But I can definitely write a song about that chair over there. That I can do, but to sit and write a pop song out of the clear blue sky, that is very difficult and I admire the people that can do it.
'If I Should Love Again' - I was just so impressed with myself writing something like that. It wasn't a single and people didn't really know about it, but it's a beautiful song and that's part of what I'm loving.
I don't play a lot of instruments so when it comes to the song writing process I don't have a lot to do with that. A lot of times it's just acoustic guitar and a small riff that produces a song. Ultimately you want to write a song that people are going to enjoy and that you love to play, most importantly you have to write it for yourself first.
Last season when I was on set...for some reason I had The Battle Hymn of the Republic in my head but I didn't know all the words. It was one of those songs you had to learn when you were younger. It wasn't as important for people raised in the 80's and 90's as it was to people raised in the 50's, 60's and 70's so when I started singing "My eyes have seen the glory of the coming of the Lord," Jane [Fonda] heard me singing it and started singing the rest of it. Suddenly everyone on set everyone was singing. That's just something I can keep in my heart forever.
In the music business, we all do different things, but we sit there and admire other people who can write a song differently or sing differently. It's not so competitive.
I just don't like the idea of her singing my songs. Who the hell does she thinks she is? The world doesn't need another Streisand! (on Diana Ross)
We tap our toes to chaste love songs about the silvery moon without recognizing them as hymns to copulation.
There's a lot of instant spotlight and pressure when it comes to a Bond song.
You have to be a really talented writer if you're trying to encapsulate a news story with a song and have it live after the event. I don't have the focus to do that, really.
Adding instruments to parts of a song and having them somehow find a pocket. That to me was a huge lesson. Like, there's more than 808s in the universe.
I probably couldn't have the same experience listening to that song because I'm self-conscious about some of my singing parts.
When I'm in the mode of feeling positive about love, I don't really feel the need to mark it down in song. In fact, I know what that song would sound like, and I would not subject anybody to that.
I'm part of this show called "Shots Fired" that is premiering on FOX. It's right after the Super Bowl. It's a pretty incredible show. I'm pretty much the voice of the show, so the voice of the opening credit record and the songs in between is pretty much my voice.
I don't really concentrate on Urban AC or whatever. I don't concentrate on genres or how people section off songs for radio.
I just sing the song and I sing it with conviction, meaning and I get into the mood of every song I do no matter how much time I have in between.