I'm not really picky. Just as long as it's not the harder style of rap - anything that's about being on the come-up or your wealth doesn't go that well with marimbas.
[Donald Trump] is a man known for a large personality, a colorful style and lots of charisma. And so I guess he was just looking for some balance on the ticket.
There have been a lot of horror anthologies as of late; movies like V/H/S and The ABCs of Death have brought the anthology back in style. We sort of felt like, "Why don't we do one and do our own thing?"
I regard myself as a true American musician, and I play every style that is my heritage.
Pop music is music that's made more accessible to people. And there's a certain lifestyle and everything that goes with it normally.
My style when I was 17 was very low-key with jeans, T-shirts, and Converse. I was signed to a major record label by then, so I had stylists helping me.
I've never had a method of working. I change according to circumstances; I don't employ any particular technique or style. I make films instinctively, more with my belly than with my brain.
The fact that I made a special movie with an old-fashioned style - even if it's a mix between with modern and old-fashioned things - must mean I feel both ways about change. In a way I'm resisting, but in a way adapting myself to the times.
Equipment makes my job easier, but it doesn't affect my style.
I'm actually a fairly conservative person. I live a very conservative lifestyle.
I think a lot of programs, policies have been put in place since 9/11, have prevented a 9/11-style attack. On the other hand, I think the threat has become greater, not lesser.
Onlookers frequently confuse edge with style...Edge means generating excess returns because of mispricing. Style suggests being in the right place at the right time. Sometimes edge and style overlap, sometimes they don't.
What I'm trying to do with Thrizzle is create the experience of a humor magazine, even if it's just one person. So that's involved me trying to simulate different styles and create a feeling of some contrast and variation, which is obviously very different from Snake 'N' Bacon.
I don't consider myself a person of fashion because it's too sophisticated. My thing is I look at style like swagger. I like things that pull me, that I gravitate to.
I think the tendency to paint composers or styles of music with too broad a brush - for example, identifying composers as writers of "simple" or "complex" music - has become increasingly problematic and is almost never productive.
Absolutely, although every congregation will say, you know, every worship leader will say it's vital. It's very important, but again these are, you know, these are different cultural styles.
Call-and-response style, yes, exactly. So whenever different groups get together then there has to be this long period of negotiation. How will we worship? What's acceptable? What's not? If I want to say "Amen" can I?
I just don't feel much interested in the lifestyles of the rich and famous.
In the immemorial style of young men under pressure, they decided to lie down for a while and waste time.
I always thought that art that is produced somehow has to reflect the zeitgeist or the ambiance and the time and the history in which it is produced. I think it's inescapable. It's like we look back now, at work done savoring the thirties, and you can almost tell it was done during that period of time. Now maybe, that's a style of period or something, I don't know. I think my work, or the things that interest me, come out of my reaction to history.
I didn't know a damn thing about style.
We cannot govern in a vacuum. The way that - again, part of my leadership style is that we've got to really have voices, diverse voices, at the table, on any given issue, and really figure out what is the best path.
Sometimes I see my students, especially the ones with a gift for the lyrical, reaching far outside the realm of their own experience for language and images. I understand this impulse. We think, in the beginning, that striking exotic words together will create something entirely new. That we must be worldly in our vocabulary. We idolize the styles of other writers and don't trust or perhaps yet know our own.
I love the freedom to do whatever I want with style and not be put into a box.
I like going in to different styles of acting and exploring stuff I haven't done before.
