In my normal life I'm a very unadventurous person.
In England and Europe, we have this huge music called ambient - ambient techno, ambient house, ambient hip-hop, ambient this, ambient that.
If I tried to make a commercial album, it would be a complete flop. I have no idea what the world at large likes.
Most game music is based on loops effectively.
My shows are not narratives.
Painting, I think it's like jazz.
Perhaps when music has been shouting for so long, a quieter voice seems attractive.
Good teachers realise that the students are the antenna; they are sensing things that the teachers don't yet sense.
Genius is individual, scenius is communal.
The most important thing is the thing most easily forgotten.
I've noticed a terrible thing, which is I will agree to anything if it's far enough in the future.
I've discovered this new electronic technique that creates new speech out of stuff that's already there.
I don't like celebrity programmes - but I do like programmes about how ideas are formed and evolve.
I'm always interested in what you can do with technology that people haven't thought of doing yet.
It must be quite mysterious to some people why I bother to carry on. Because, you know, I don't sell that many records.
My guitar only has five strings 'cause the top one broke and I decided not to put it back on: when I play chords I only play bar chords, and the top one always used to cut me there.
All cultures have these feelings about non-functional areas of activity. And the more time people have on their hands, the more they commit it to those areas.
I always use the same guitar; I got this guitar years and years ago for nine pounds. It's still got the same strings on it.
I do love being in my studio. Especially at night.
I felt extremely uncomfortable as the focal point, in the spotlight. I really like the behind the scenes role, because all my freedom is there.
I make a lot of pieces of music that I never release as CDs.
I want to rethink surrender as an active verb.
I'm bloody awful at multi-tasking.
I'm not interested in possible complexities. I regard song structure as a graph paper.
The artists of the past who impressed me were the ones who really focused their work.
