I was born in Missouri, but I was raised in Detroit. One of my stock and trades is accents.
I was a fan of 'Six Feet Under' and was very sad when it ended, so I was not ready to switch my allegiance to another show. So I was like, 'I'm not watching this 'True Blood.'' Then a friend got a bootleg copy of the first four episodes, and by the third one, I was irrevocably hooked.
I think all the characters in 'American Horror Story,' which is why I love it, are looking for some sense of meaning, and also it's their form of happiness.
Especially when it comes to something like the awards, I find it kind of baffling that 'True Blood' has been snubbed so many times given the incredible range of acting they have on there; I mean, incredible storytelling and the incredible production values.
I guess I didn't even know the word 'genre' until I did 'True Blood.' That's how naive I was, and I didn't realize that there was a point of view about certain types of TV. And so I guess I found it disappointing that there is a segment of the critical community that looks at genre as something that is separate, less than.
And I guess I'm a kid at heart in that when I go for entertainment, I want to be totally transported. I want to go somewhere else; I want to encounter different things, different beings, different universes. And so I love that aspect of being able to play those things in both 'True Blood' and in 'American Horror Story.'
We see images of people being beheaded on TV. That's not a thing that you see all the time. That's a different kind of scary. Unfortunately, some of the scary stuff is political, and that's a change from our past.
Comic-Con is a special kind of crazy.
Michael Winterbottom is one of the great directors of this century.
I love monsters, I love creatures, I love beings, I love aliens. That's more supernatural and more the stuff of fairy tales. Fairy tales are as ancient as we are. I love those stories. I think they're really interesting because they always have more than simply the fright aspect. There's something deeply psychological.
We live in a world where we're all on computers and tablets and phones, all the time, so something as odd as computer hacking or a virus is really scary because it gets to the heart of our security.
I think it was 1987 - something like that - or '86, and I thought, 'When you go equity and you're gonna get paid, you'll finally be able to make a living.' But it was not to be so. I always bartended and waited tables so I ended up not doing theater for about a year because nobody would hire me.
I received a phone call; my agent got a phone call from Ryan Murphy saying he wanted to talk to me... And he basically outlined 'American Horror Story' for me and said that there's a character named Larry the Burn Guy, and I'd like you to play it.
I read five books on the Constitution. My favorite was 'Plain, Honest Men' by Richard Beeman. I went on a science jag in the same way. I kept getting in arguments about evolution and being bested. So I read Charles Darwin's 'On the Origin of the Species,' a fantastic book that is not that difficult.
I was a big fan of 'Six Feet Under.' So, I got a bootleg copy of the first four episodes on videotape, watched them and was instantly into it. During the first episode, I was like, 'Eh.' By the time I got to the second one, I couldn't watch them fast enough. I got on the phone that night, called Time Warner cable and ordered HBO right then.
I hate singing. I hate dancing. I enjoyed doing 'Cabaret' and 'Assassins,' but I would wither up and die in 'The Music Man.'
I read 'Dracula' in high school. I've been around vampires forever.
For all the import and message of 'The Iliad,' it's ultimately a story that's meant to be heard, and the person hearing 'The Iliad' determines what it means.
If you see me in New York, you'll probably see me on my bicycle riding furiously between a city bus and a taxi cab, hitting one of them on the side and yelling at them.
