Basically, my mother is a piano teacher, and she actually teaches piano at Yamaha School of Music today. She's a really, really amazing human being and is very patient. She had enough patience for me, as a kid, which I'm very thankful for. She made sure that music was a part of my general education as well.
"Jazz" to begin with, is a really bad word... all the true musicians that really play jazz, jazz is the worst word for it. Jazz is a process. Jazz is a creative process. It's not so much a genre, but a way of expression.
Music is a thing where, the more vocabulary you gather, the more you can express yourself.
My dad would play me all of these records: Miles Davis records, John Coltrane records, Bill Evans records, a lot of jazz records. My first exposure to music was listening to jazz records.
I started playing classical music, and I still do. I think music ultimately is kind of on a theoretical level, is about collecting and learning as much vocabulary as possible. It's kind of like writing. It's kind of like writing because the more you read, the more you hear people describe things. The more you soak in, as far as vocabulary, the more access you have in order to express yourself accurately and vividly.
I'd rather call it "instrumental creative music," especially the music that I've been doing. If a person would hear that music, they would undoubtedly call it "jazz." There is this whole generation of musicians that are playing and thinking critically for themselves and making music that's relevant to today. I hope that's the objective of a lot of musicians.
The main thing about the word jazz, is that it's very limiting to what people are doing.
My dad, was, by trade, he had a Ph.D. in mechanical engineering. He's a huge, huge jazz fan. He used to travel all the time for projects, and he used to collect jazz records. He used to collect hundreds and hundreds of jazz records because he had this passion for it. That's kind of how they had certain hobbies together with my mom.
As far as the people that have inspired me, they're the people that I have played with the most. For example, the record that I made called Virtue, there was a wonderful band and a wonderful drummer by the name of Ludwig Afonso and a wonderful bass player by the name of Armando Gola.
My mom was a musician, and my dad had this passion for music. That's kind of how a lot of their relationship was built. When I came around, I was constantly exposed to music.
I had an opportunity to start going around the world when I was about 18 years old. So, I did. That's one of the things that I was doing.
I grew up in Kansas City from when I was about two years old to my mid-teens. Kansas City at the time was an amazing place, because there was so much music going on there. As a kid, I was playing there all the time and learning a lot about music.
When I was four, I started taking lessons from my mom. That's pretty much how I started.
Hearing Oscar Peterson was something that resonated within me. There are so many musicians I've been fortunate to play with. The people that inspire me are the people I play with.
