What matters most with any regimen, whether it's to lose weight or stop drinking or smoking, is your willingness to seek help and your desire to say 'no more.
Of course I voted for him. He wasn't a politician; he was a craze.
It's just fantastic to go out and meet people in the world and get to really remote places.
I love film people and actors and I am in the right world because I am one of those people.
I'm sent a script. I read the script. If I love it, I want to do it. And that's it I don't care who's in it, how much money is behind it, really to an extent who's directing it.
The script, I always believe, is the foundation of everything.
I trained in the theatre and I love the theatre. I get such a thrill seeing anything in the theatre.
I hate the word celebrity. I'm not a celebrity, I'm an actor.
I wanted to go and explore the world, I guess. And I suddenly thought well, I'll just do it.
If you're suddenly doing something you don't want to do for four years, just so you've got something to fall back on, by the time you come out you don't have that 16-year-old drive any more and you'll spend your life doing something you never wanted to do in the first place.
When I moved to London, you could park your motorcycle in the pavement, on the sidewalk. We would stay here and just leave it and go about your business. But now something was sort of encroaching in London. There's cameras everywhere. You can't do anything. You're not allowed to be in a group.
I loved being in Trainspotting and having to dive into the filthiest toilet in Scotland.
I worked as a waiter when I was 15 and got a chance to appreciate good, simple food. There's nothing better than a boiled egg with toast.
I had extra thick light sabers because mine kept getting bent. I'd be halfway through a fight and it would be like 'Oops, sorry! Mine's bent again!
I don't like the idea of not being able to knock about the town, you know.
I grew up in a very small town in Scotland, a little place called Crieff which is beautiful and it's at the foothills to the highlands. It's a very beautiful part of the world. It's a small, I suppose quite conservative place.
...as an actor there`s nothing better than a great moody moment to play with nothing to say. It`s so much easier to do because you can really get inside your head.
Success is tricky to deal with, both professionally and in your personal life.
I was getting in trouble at school. I wasn't happy. The school was very much a school that created people for commerce and it wasn't an arty school.
It's impossible to put your finger on what that is exactly other than protecting the environment that the actors get to find the scenes and build the scenes and invest in them. I think that's key and that's what I've learned from all the great directors I've worked with.
Everything you do on set is directly related to your imagination when you read the script for the first time.
It is always a nice feeling when you are challenged by a scene and you walk out of trailer and you go on set going I don't know. And then half an hour later you're walking back.
I think my home is in that sort of the part of cinema that's disappeared is where I lived, that sort of mid-budget you know, drama. I suppose that's what I am known for.
I wanted to make sure that I was making films about the world. So I thought well, I should go and see it. I'm spending a lot of time in - we call them caravans in Britain.
There's something that happens where you go, if you're lucky, goodness me, from film to another film to another film. And you can sort of feel that if you step off that treadmill, it might all go horribly wrong and you might never be employed again, you know. And I suddenly thought that that's not necessarily the case. And I also thought we make drama as actors about people in the world and that if you are on that treadmill, you start making films about other films.