Every once in a while we remember that life is short, and to appreciate the time with your friends and family, and to be open to have beautiful exciting moments in your days and stop worrying about what's pulling you down.
In my experience, the best directors I've worked with hired people for a purpose. They hire them with trust. There's not many notes. There's confidence and support.
I remember driving the tractor on our farm, and Tim McGraw would be on the radio. I'd find myself walking out of class, singing his songs. And then Tim ended up playing my father in 'Friday Night Lights.' It was surreal.
Especially for me, growing up in such a small town in the middle of nowhere, the desire to be away was incredible. I wanted to see new lands, meet new people from the city, and meet people that were in much less fortunate situations than I was, so that I could be more appreciative of my present. At least I had food on the table.
You look at what interests a person and then you formulate what their opinions are, in terms of how they see the world, and how they see love and life.
It's funny - I read that women look to chiseled-faced guys for one-night stands, and to round-faced guys for marriage. When I'm rounder in the face, I like to say, 'This is my long-term look.' Or 'This is my wife-and-kids look right here.
Anybody that wants to walk out that door and leave home for a few months and rely on themselves instead of fate might have some interesting stories to tell.
I'm not good at chatting right away. Women have to be very patient with me, I suppose.
I used to be sick of the backroads of Minnesota. I had to drive 30 miles to get home every day, take the schoolbus for two hours. But to drive through America and see the backroads, from Nashville to Memphis, Lovick to New Mexico, was incredible. It was probably the greatest trip of my life.
I remember telling my creative writing teacher that you never want to have a journal, because if you lose it, then someone's going to know all your secrets. And then she stopped using a journal, but I always write everything down... Anytime I travel, I try and fill up notepads.
I think the only thing harder for a parent is having to sit down and watch you do a dying scene. I've died in three films, and my mom begs me, "Just tell me you don't die at the end."
For me, and this may not be everybody, but because I do love country music so much, there's such a feeling of home in Nashville, especially because it's such a small town. You bring up one song, everybody knows who wrote it, everybody knows their mother and what their cell number is, and all of the stories.
You might think the thinner version of yourself is going to be the most positive or confident, but that's not how it is for me. When I'm over 200 pounds, that's when I'm the most confident version of myself.
I grew up on a farm where we had one radio station and it was all country.
I'd mortgage any house for art.
I've always had a longstanding dream, ever since I was a kid, where I was running on a big lake of ice and I kept running and kept running, just about to where I was trying to get to, and I fell through the ice, and then I couldn't find the hole where I fell through to get back out again.
In the present time you don't really establish what you're going through, but after time it's declared something. Right now there could be some writers doing something expressing their thoughts in a whole different style that we're not aware of. This could be the 'in-between the notes generation.
Growing up, I would watch a movie on video and would go to the back of the VHS and locate the address for Universal Pictures or MGM or whatever. I'd write to the studios asking them if I could be in a movie. They never wrote me back.
I had done chorus before in school, but I was only trying for an easy A. I was a bass going 'dum dum da doo wop.
I fantasised about F. Scott Fitzgerald's 'The Great Gatsby' - I loved it, and then I read everything J. D. Salinger had to offer. Then I was turned on to Kerouac, and his spontaneous prose, his stream of consciousness way of writing. I admired him so much, and I romanticised so much about the '40s and '50s.
Yeah, I know a lot of soldiers. I know soldiers who don't like to hear thank you for your service. And I know soldiers that do like to be told thank you for your service. The ones who don't like to be told are the ones who've been through serious sh*t. They don't care about feedback. They did their job. They did what they have to do. Sometimes the people that thank them are exactly the ones they don't want to be thanked by.
I've always romanticized the late '40s and '50s - the cars, jazz, the open roads and lack of pollution. Now there are more vehicles, less hitchhikers, more billboards and power lines and stuff. People wrote wonderful long letters that took months to receive, and now everything is email.
I was a 'Duck Hunt' and 'Mario' guy, and stuff like that. I was never technologically driven. I never had all the cool, new toys. I was the youngest child, I wasn't the only child, so I wasn't spoiled as a kid. And, we were on the farm, so we didn't have a lot. Also, with computers, I'm not very good with them. I just check my email.
It's funny that I got to do 'On the Road' because the thing that had the biggest impact on me growing up was reading books. I was very inspired by the book and this spirit of Dean Moriarty and how envious we all are of somebody who can be that carefree.
Kerouac was the cowboy that inspired the whole Beat Generation, and highlighted and put the spotlight on all of these minds that didn't really know what they were doing at the time, but accomplished something much bigger than what they ever foresaw.
