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George Bernard Shaw Quotes - Page 54

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I ... must continue to strive for more knowledge and more power, though the new knowledge always contradicts the old and the new power is the destruction of the fools who misuse it.

I ... must continue to strive for more knowledge and more power, though the new knowledge always contradicts the old and the new power is the destruction of the fools who misuse it.

George Bernard Shaw (2015). “The Collected Works of George Bernard Shaw: Plays, Novels, Articles, Lectures, Letters and Essays: Pygmalion, Mrs. Warren’s Profession, Candida, Arms and The Man, Man and Superman, Caesar and Cleopatra, Androcles And The Lion, The New York Times Articles on War, Memories of Oscar Wilde and more”, p.4727, e-artnow

Nobody could stand an eternity of Heaven.

George Bernard Shaw (2011). “Man And Superman ( 人與超人)”, p.601, Hyweb Technology Co. Ltd.

There are no perfectly honorable men; but every true man has one main point of honor and a few minor ones.

George Bernard Shaw (2015). “The Collected Works of George Bernard Shaw: Plays, Novels, Articles, Lectures, Letters and Essays: Pygmalion, Mrs. Warren’s Profession, Candida, Arms and The Man, Man and Superman, Caesar and Cleopatra, Androcles And The Lion, The New York Times Articles on War, Memories of Oscar Wilde and more”, p.5800, e-artnow

He who bears the brand of Cain shall rule the earth.

George Bernard Shaw (2010). “Back to Methuselah”, p.157, The Floating Press

This souls'prison we call England.

1919 Hector Hushabye. Heartbreak House, act 3.

Any sort of plain speaking is better than the nauseous sham good fellowship our democratic public men get up for shop use.

George Bernard Shaw (2015). “The Collected Works of George Bernard Shaw: Plays, Novels, Articles, Lectures, Letters and Essays: Pygmalion, Mrs. Warren’s Profession, Candida, Arms and The Man, Man and Superman, Caesar and Cleopatra, Androcles And The Lion, The New York Times Articles on War, Memories of Oscar Wilde and more”, p.3841, e-artnow

Nothing is more dreadful than a husband who keeps telling you everything he thinks, and always wants to know what you think.

George Bernard Shaw (2015). “The Collected Works of George Bernard Shaw: Plays, Novels, Articles, Lectures, Letters and Essays: Pygmalion, Mrs. Warren’s Profession, Candida, Arms and The Man, Man and Superman, Caesar and Cleopatra, Androcles And The Lion, The New York Times Articles on War, Memories of Oscar Wilde and more”, p.2645, e-artnow

Just as the liar 's punishment is, not in the least that he is not believed , but that he cannot believe any one else; so a guilty society can more easily be persuaded that any apparently innocent act is guilty than that any apparently guilty act is innocent.

George Bernard Shaw (2015). “The Collected Works of George Bernard Shaw: Plays, Novels, Articles, Letters and Essays: Pygmalion, Mrs. Warren’s Profession, Candida, Arms and The Man, Man and Superman, Caesar and Cleopatra, Androcles And The Lion, The New York Times Articles on War, Memories of Oscar Wilde and more”, p.4190, e-artnow

I am very subtle; but Man is deeper in his thought than I am. The woman knows that there is no such thing as nothing: the man knows that there is no such day as tomorrow. I do well to worship them.

George Bernard Shaw (2015). “The Collected Works of George Bernard Shaw: Plays, Novels, Articles, Letters and Essays: Pygmalion, Mrs. Warren’s Profession, Candida, Arms and The Man, Man and Superman, Caesar and Cleopatra, Androcles And The Lion, The New York Times Articles on War, Memories of Oscar Wilde and more”, p.3805, e-artnow

In the arts of peace Man is a bungler.

'Man and Superman' (1903) act 3

When a heretic wishes to avoid martyrdom he speaks of "Orthodoxy, True and False" and demonstrates that the True is his heresy.

George Bernard Shaw (2015). “George Bernard Shaw: Collected Articles, Lectures, Essays and Letters: Thoughts and Studies from the Renowned Dramaturge and Author of Mrs. Warren’s Profession, Pygmalion, Arms and The Man, Saint Joan, Caesar and Cleopatra, Androcles And The Lion”, p.317, e-artnow