Gretel Ehrlich Quotes

Everything in nature invites us constantly to be what we are.

I like to think of the landscape not as a fixed place but as a path that is unwinding before my eyes, under my feet. To see and know a place is a contemplative act. It means emptying our minds and letting what is there, in all its mulitplicity and endless variety, come in.

Honesty is stronger medicine than sympathy, which may console but often conceals.

Love life first, then march through the gates of each season; go inside nature and develop the discipline to stop destructive behavior; learn tenderness toward experience, then make decisions based on creating biological wealth that includes all people, animals, cultures, currencies, languages, and the living things as yet undiscovered; listen to the truth the land will tell you; act accordingly.

Everything in nature invites us constantly to be what we are. We are often like rivers: careless and forceful, timid and dangerous, lucid and muddied, eddying, gleaming, still.

I thought: to be tough is to be fragile; to be tender is to be truly fierce.

True solace is finding none, which is to say, it is everywhere.

A tree is a thought, an obstruction stopping the flow of wind and light, trapping water, housing insects, birds, and animals, and breathing in and out. How treelike the human, how human the tree.

I like big, open, spare landscapes. There's lots of room. Nobody bothers you... I feel as if I can think there.

Leaves are verbs that conjugate the seasons.

To trace the history of a river or a raindrop is also to trace the history of the soul, the history of the mind descending and arising in the body. In both, we constantly seek and stumble upon divinity, which like feeding the lake, and the spring becoming a waterfall, feeds, spills, falls, and feeds itself all over again.

Finally, the lessons of impermanence taught me this: loss constitutes an odd kind of fullness; despair empties out into an unquenchable appetite for life.

Survival is as much a matter of grace as fight. The expression, 'grace under pressure' implies the attainment of equanimity and equilibrium. The fundamental durability of the human body surprises us because the pain can be so intense - yet pain is often transient and hides the tremendous effforts the body is engaged in to heal itself.

All through autumn we hear a double voice: one says everything is ripe; the other says everything is dying. The paradox is exquisite. We feel what the Japanese call "aware"--an almost untranslatable word meaning something like "beauty tinged with sadness.

If anything is endemic to Wyoming it is wind. This big room of space is swept out daily, leaving a bone yard of fossils, agates, and carcasses in every stage of decay. Though it was water that initially shaped the state, wind is the meticulous gardener, raising dust and pruning the sage.

To long for love, to have experienced passion's deep pleasure, even once, is to understand the mercilessness of having a human body whose memory rides desire's back unanchored from season to season.

To rise above treeline is to go above thought, and after, the descent back into bird song, bog orchids, willows, and firs is to sink into the preliterate parts of ourselves.

We are often like rivers: careless and forceful, timid and dangerous, lucid and muddied, eddying, gleaming, still. Lovers, farmers, and artists have one thing in common, at least - a fear of 'dry spells,' dormant periods in which we do no blooming, internal droughts only the waters of imagination and psychic release can civilize.

Walking is also an ambulation of mind.

How odd it is that sewing is thought to be 'women's work' when surgeons, sailors, and cowboys sew too. Yet how many female thoracic surgeons are there? And if precision motor activities are thought to be performed better by women, why wouldn't they make better surgeons too?

It's no wonder human beings are so narcissistic. The way our ears are constructed, we can hear only what is right next to us or else the internal monologue inside.

To trace the history of a river . . . is to trace the history of the soul, the history of the mind descending and arising in the body.

Autumn teaches us that fruition is also death; that ripeness is a form of decay. The willows, having stood for so long near water, begin to rust. Leaves are verbs that conjugate the seasons.

There was not one cause for our internment, but many - a deep-seated racial prejudice working on top of fear, distrust, and greed. So how is one to say exactly where history begins or ends? It is all slow oscillations, curves, and waves which take so long to reveal themselves ... like watching a tree grow.

Fog rolled in like a form of sorrow. To live exiled from a place you have known intimately is to experience sensory deprivation. A wide-awake coma. ... The sea was a memory bank into which everything fell and was lost. I dove in but came out empty-handed.