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James Joyce Quotes - Page 12

For the years, he felt, had not quenched his soul, or hers.

James Joyce (1967). “Dubliners”, p.106, Lulu.com

(...) You cruel creature, little mite of a thing with a heart the size of a fullstop.

James Joyce (2016). “JAMES JOYCE Premium Collection: Ulysses, A Portrait of the Artist as a Young Man, Dubliners, Chamber Music & Exiles”, p.637, e-artnow

Hell is the centre of evils and, as you know, things are more intense at their centres than at their remotest points.

James Joyce (2015). “James Joyce The Dover Reader”, p.243, Courier Dover Publications

The sacred pint alone can unbind the tongue.

James Joyce (2013). “Four Novels by James Joyce”, p.32, eBookIt.com

And the first till last alshemist wrote over every square inch of the only foolscap available, his own body, till by its corrosive sublimation one continuous present tense integument slowly unfolded all marryvoising moodmoulded cyclewheeling history.

James Joyce (2016). “FINNEGANS WAKE & EXILES (Complete Edition): Experimental Novel and Play from the Author of Ulysses, Dubliners, A Portrait of the Artist as a Young Man & Chamber Music”, p.162, e-artnow

It seems to me you do not care what banality a man expresses so long as he expresses it in Irish.

James Joyce (1963). “Stephen Hero”, p.54, New Directions Publishing

I am a worker, a tombstone mason, anxious to pleace averyburies and jully glad when Christmas comes his once ayear.

James Joyce (2013). “Delphi Complete Works of James Joyce (Illustrated)”, p.921, Delphi Classics

This race and this country and this life produced me, he said. I shall express myself as I am.

James Joyce (2016). “The Complete Works of James Joyce: Novels, Short Stories, Plays, Poetry, Essays & Letters: Ulysses, A Portrait of the Artist as a Young Man, Finnegan’s Wake, Dubliners, The Cat and the Devil, Exiles, Chamber Music, Pomes Penyeach, Stephen Hero, Giacomo Joyce, Critical Writings & more”, p.170, e-artnow

I should tell you that honestly, on my honour of a Nearwicked, I always think in a wordworth's of that primed favourite continental poet, Daunty, Gouty and Shopkeeper, A.G., whom the generality admoyers in this that is and that this is to come.

James Joyce (2016). “The Complete Works of James Joyce: Novels, Short Stories, Plays, Poetry, Essays & Letters: Ulysses, A Portrait of the Artist as a Young Man, Finnegan’s Wake, Dubliners, The Cat and the Devil, Exiles, Chamber Music, Pomes Penyeach, Stephen Hero, Giacomo Joyce, Critical Writings & more”, p.1363, e-artnow

Human society is the embodiment of changeless laws which the whimsicalities and circumstances of men and women involve and overwrap. The realm of literature is the realm of these accidental manners and humours--a spacious realm; and the true literary artist concerns himself mainly with them.

James Joyce (2016). “The Complete Works of James Joyce: Novels, Short Stories, Plays, Poetry, Essays & Letters: Ulysses, A Portrait of the Artist as a Young Man, Finnegan’s Wake, Dubliners, The Cat and the Devil, Exiles, Chamber Music, Pomes Penyeach, Stephen Hero, Giacomo Joyce, Critical Writings & more”, p.2129, e-artnow

Ireland sober is Ireland stiff.

James Joyce (2016). “The Complete Works of James Joyce: Novels, Short Stories, Plays, Poetry, Essays & Letters: Ulysses, A Portrait of the Artist as a Young Man, Finnegan’s Wake, Dubliners, The Cat and the Devil, Exiles, Chamber Music, Pomes Penyeach, Stephen Hero, Giacomo Joyce, Critical Writings & more”, p.1099, e-artnow

The mocker is never taken seriously when he is most serious.

James Joyce (2016). “The Complete Works of James Joyce: Novels, Short Stories, Plays, Poetry, Essays & Letters: Ulysses, A Portrait of the Artist as a Young Man, Finnegan’s Wake, Dubliners, The Cat and the Devil, Exiles, Chamber Music, Pomes Penyeach, Stephen Hero, Giacomo Joyce, Critical Writings & more”, p.399, e-artnow

if it is thus, I ask emphatically whence comes this thusness.

James Joyce (2016). “Stephen Hero & A Portrait of the Artist as a Young Man (Two Autobiographical Novels): Including Biography of the Author”, p.197, e-artnow