John Updike Quotes about Writing

I want to write books that unlock the traffic jam in everybody's head.

There's always something new by looking at the same thing over and over.

Writers may be disreputable, incorrigible, early to decay or late to bloom but they dare to go it alone.

Being able to write becomes a kind of shield, a way of hiding, a way of too instantly transforming pain into honey.

Writing and rewriting are a constant search for what it is one is saying.

When I write, I aim in my mind not toward New York but to a vague spot a little to the east of Kansas. I think of the books on library shelves, without their jackets, years old, and a countryish teen-aged boy finding them, and having them speak to him. The review, the stacks in Brentano's, are just hurdles to get over, to place the books on that shelf.

In a country this large and a language even larger ... there ought to be a living for somebody who cares and wants to entertain and instruct a reader.

I'm willing to show good taste, if I can, in somebody else's living room, but our reading life is too short for a writer to be in any way polite. Since his words enter into another's brain in silence and intimacy, he should be as honest and explicit as we are with ourselves.

Try to develop actual work habits, and even though you have a busy life, try to reserve an hour, say - or more - a day to write. Some very good things have been written on an hour a day.

Writing fiction is like music. You have to keep it moving. You can have slow movements but there has to be a sense of momentum, of going someplace. You hear a snatch of Beethoven and it has a sense of momentum that is unmistakably his. That's a nice quality if you can do it in fiction.

Fiction is very greedy. It will take all you know and then some. The first novel I tried to write, I was struck by this - the appetite of the blank page for ever more information, ever more data. An empty book is a greedy thing. You are right: You wind up using everything you know, and often more than once.

A narrative is like a room on whose walls a number of false doors have been painted; while within the narrative, we have many apparent choices of exit, but when the author leads us to one particular door, we know it is the right one because it opens.

Writing doesn't require drive. It's like saying a chicken has to have drive to lay an egg.

We're past the age of heroes and hero kings. ... Most of our lives are basically mundane and dull, and it's up to the writer to find ways to make them interesting.

Prose should have a flow, the forward momentum of a certain energized weight; it should feel like a voice tumbling in your ear.

You write because you don't talk very well, and maybe one of the reasons that I was determined to write was that I wasn't an orator, unlike my mother and my grandfather, who both spoke beautifully and spoke all the time. Maybe I grew up with too many voices around me, as a matter of fact.

In a democracy in the 20th and 21st century, if you can't base your fiction upon ordinary people and the issues that engage them, then you are reduced to writing about spectacular unreal people. You know, James Bond or something, and you cook up adventures.

The - writing is a kind of act of aggression, and a person who is not aggressive in his normal, may I say, intercourse with humanity might well be an aggressive writer.

If you look at the best-seller list, it is mostly thrillers. Very few books attempt to create an image of the life we live. I knew there were writers who wore tweed coats and lived in Connecticut and somehow made a living, and that's what I aimed to do. I've tried to write as well as I can with books that say something to any reader.

I write about, more or less, everything I can think of, that is I stretch my imagination as far as it'll go. I am kind of stuck in the middle as far as my life goes, and hence my imagination tends to zero in on things which are indeed in the middle. That is, I don't write about the very rich, who I scarcely know, or the very poor who I don't know very well either.

When I write, I aim in my mind not toward New York but toward a vague spot a little to the east of Kansas.

Writing criticism is to writing fiction and poetry as hugging the shore is to sailing in the open sea.

I have never believed that one should wait until one is inspired because I think the pleasures of not writing are so great that if you ever start indulging them you will never write again.

The measure of artistic merit is the length to which a writer is willing to go in following his own compulsions.

Seemed to me important in writing about people to be able to describe the sexual transactions between them. It's - for many people it's the height of, what they see, of ecstasy and poetry is in their sexual encounters. And furthermore, personality - human personality does not end in the bedroom, but persists.