People feel removed from sexism. 'I'm not a sexist, but I'm not a feminist.' They think there's this fuzzy middle ground. There's no fuzzy middle ground. You either believe that women are people or you don't. It's that simple.
Everything is a drug. Family, art, causes, new shoes… We’re all just tweaking our chem to avoid the void.
If I find out I have to write today and nothing else, that’s a perfect day. I know a lot of people who are great at it and make it look easy who are tortured and miserable people. Writing for me is perfect peace.
I tend to tell stories that have a lot of momentum; it's not like 'and then months later...' I like things where the momentum of one action rolls into the next one so everything is the sum of that.
Writers are completely out of touch with reality. Writers are crazy [people]. We create conflict - for a living. We do this all the time, sometimes on a weekly basis, we create horrible, incredible circumstances and then figure a way out of them. That's what we do.
People with real power never fear of losing it. People with control think of little else.
When I say, "I love you," it's not because I want you or because I can't have you. It has nothing to do with me. I love what you are, what you do, how you try. I've seen your kindness and your strength. I've seen the best and the worst of you. And I understand with perfect clarity exactly what you are. You're a hell of a woman.
Recognizing power in another does not diminish your own.
I think everyone who makes movies should be forced to do television. Because you have to finish. You have to get it done, and there are a lot of decisions made just for the sake of making decisions. You do something because it's efficient and because it gets the story told and it connects to the audience.
I write for fanboy moments. I write to give myself strength. I write to be the characters that I am not. I write to explore all the things I'm afraid of. I write to do all the things the viewers want too. So the intensity of the fan response is enormously gratifying. It means I hit a nerve.
When you're making a film, you have an obligation to fill the frame with life.
I'm never interested in movies where you don't care about the people you're watching, and that's my biggest quibble about horror, that kids have gotten stupider and stupider.
I don't understand why or how anyone ever pulled off the whole idea of 'women are inferior.'
You do not want a war. You have known violence, you have suffered loss, but you have seen nothing of war. War is not just the business of death; it is the anti-thesis of life. Hope, tortured and flayed, reason, dismembered, grinning at its limbs in its lap. Decency, raped to death... You will be a murderer and more.
Kristen Stewart is kind of captivating; she can just stare at stuff and it works because I still want to watch it.
It was only when I got to college that I realized that the rest of the world didn't run the way my world was run, and that there was a need for feminism. I'd thought it was all solved. There are people like my mom, clearly everyone is equal and it's all fine. Then I get into the world and I hear the things people are saying. Then I get to Hollywood and hear the very casual, almost insidious misogyny that just runs through so much of the fiction. It was just staggering to me.
Stories come from violence, they come from sex. They come from death. They come from the dark places that everyone has to go to, kind of wants to, or doesn't, but needs to deal with. If you raise a kid to think everything is sunshine and flowers, they're going to get into the real world and die. That's the reason fairy tales are so creepy, because we need to encapsulate these things, to inoculate ourselves against them, so that when we're confronted by the genuine horror that is day-to-day life we don't go insane.
Don’t give people what they want, give them what they need.
The stupidest person in the room might have the best idea.
If somebody comes up to me, it's because they're moved by something I'm moved by. I've never taken a job I didn't love... So when somebody's coming up to me, or they're writing, they're in the same space I am in.
We are, all of us, incoherent text, and just knowing that - knowing that no matter how much you say, 'I am this' and part of you is not that - means that you can say it.
Directing is such alchemy, it's so easy to fail. And I've seen people who are great at their jobs because everybody has a go. Editors, DPs, actors, craft services guy, everybody wants to try it out but it is such a diffuse but necessary set of skills that you never know which one this person might lack.
The absolute favorite part of Comic-Con is seeing like a Mass Effect guy hanging out with a Sailor Moon, and they're just having a great time. Nerds, we love what we love with a passion and sometimes it's an angry passion, and to see that all sort of bleed out and everybody just connect.
The world is scary, and things are overwhelming, and there's a lot at stake.
When you see these characters like Captain America or Thor, laughing at their own situation or about how strange they are, then you are able to accept more readily that it's fine to wear a cape. You can also accept that it's fine to be enormous and green, or to shoot arrows at aliens racing through the sky. It all makes sense if you've been able to laugh at it and with it.
