Juno Temple Quotes

The size of a studio film lets you see technology in a way that you wouldn't on an independent film, like the gadgets and the angles and all that.

There will always be ways to pay my rent, whether I wind up having to be a waitress on the side or whatever it is, but I think it's so important for me to do things that I'm passionate about.

It's all about the director for me; we have to click. It's a trust thing. I'll say I'm ready to let down my walls. I'll cry for you as long as you need. But you're going to have to hug me afterwards.

You don't always have to look in the distance for what's going on over there, when you actually see what's right in front of you.

But, I think it's great to be able to work with established directors, and then also first-timers. I feel like you learn from both of them, but then you can go and share your knowledge with each of them. That's really fantastic!

I'm so excited to see 'Horns' because it's so many different genres in one film. It's a sci-fi, it's a love story, it's a horror movie, it's a fairy tale.

I never want to sell my soul for something I don't believe in. Because guess what? Somebody somewhere in the world would have believed in that part and should be playing it - who am I to not allow that person that opportunity?

I hope I can keep acting because I love it. It's like a crazy, addictive rollercoaster... it takes you up and down, up and down, up and down but you just don't want to get off. I just want to keep challenging myself... finding new roles, trying out new things and learning.

I find standard American the hardest. It really fits in a different place in your mouth. Southern, I find the easiest. If you talk to a dialect coach and you get sort of technical, where an English person keeps their voice in their throat, a Southern person does the same, and it's got the same sort of music to talking.

What's exciting about watching a movie, when it's finished, is you sometimes you don't recognize yourself, and that's when I'm really proud.

When I go home to England, my friends all make fun of me for sounding American.

I've been really lucky to work with a lot of really great actors, so watching the films back, it's really important to admire the people that you were working with and see their full performance.

You know, I do projects that I really care about. I hope I'll stand by that until the day I die!

For a woman, body image is always a palpable thing. Weirdly, for me, the only time I don't care is when I'm in character.

I think its so exciting to try anything you possibly can.

For me, a director is such an important part of thE process. I really have to trust him. Because then you can kind of let your inhibitions down. You can go anywhere when you trust someone.

On an independent film, you really learn about pace. You have so little time to do things, that you really have to know your scenes.

I'm a private person; I stick to my neighbourhood and eat in my little restaurants.

I just want to work forever. I absolutely love what I'm doing. I learn all the time from all these amazing artists.

I think there are so many unmaiden roles for women. I've been lucky enough to play girls with lots of different attitudes about sex. There's a couple other movies at Sundance that also show sex in a different way. That's exciting. I actually don't think women are being pigeonholed right now, and I like that. It's showing that men and women - when it comes down to it, we're animals, aren't we? I know how my next-door neighbors feel about it, and I hope they're enjoying it.

I was brought up in a very open, rural countryside in the middle of nowhere. There were no cell phones. If your lights went out, you were lit by candlelight for a good four days before they can get to you. And so, my imagination was crazy.

There's such an array of brilliant roles for young women. You read all these amazing young women going through different stages in their life - different stages, different fascinations, different textualities, different friendships.

That's the great thing about the 'Sin City' movies. Each little slot is incredibly meaningful, and each character has their own moment.

I had this wild imagination. I was never me. All my childhood photos, I'm in fancy dress, playing a Russian refuge or Marvelous Mad Madam Mim.

I just did a part in 'Sin City 2.' I got to do a scene with Ray Liotta. Amazing man, extraordinary gentleman who was just so kind to me... I'm so excited about that I think it's gonna be very cool.