Keanu Reeves Quotes - Page 3

I'm Mickey Mouse. They don't know who's inside the suit.

The impact of falling in love for the first time has a special place in our arhitecture.

So many people have that relationship. The companionship. The connection. To our - to other beings, our pets. I hate to call them pets. But you know, to other creatures that we share our lives with.

Mortality is very different when you're 20 to when you're 50.

Grief changes shape, but it never ends. People have a misconception that you can deal with it and say, 'It's gone, and I'm better.' They're wrong.

Letters are something from you. It's a different kind of intention than writing an e-mail.

I am not handsome or sexy. Of course, it's not like I am hopeless.

I hope I get the bliss. And I know I'm going to have to work for it. But I've got to say, really, I have no kind of, can I say "secular religiosity"? ... I don't have a denominational sight.

Because we're actors we can pretend and fake it, but I'd rather the intimate investment was authentic.

I attempt to connect with my muse and go on demon rides.

One of the aspects I like about the film is that there is a kind of emotional, psychological discussion during the storytelling, ... Before taking a drug, go through yourself, experience yourself, all your hopes and fears in your own time. Before the pharmacology, do the psychology.

The inspiration really comes first from the character and the story. That vision of what the story is, and what the character is, the world that they inhabit and what the story wants to tell. That's really what inspires me.

I do think there must be some kind of interaction between your living life and the life that goes on from here.

There's a lot of great writing, and characters, and stories being told in television nowadays. And much more than there used to be. The opportunities to tell stories, because of the opportunities to show content. And so it's drawing actors from cinema, movie actors, actors to where there's a lot of opportunities to where you can tell stories.

Environmental issues are on everyone's mind. It's part of our culture now and I can only applaud and laud anyone who is doing what they can and raising awareness.

I really took it in-house. The Constantine character has a kind of flesh-and-blood practical look at things that would seem, other people would use the word, occult or spiritual. But here, demons are real. So for me it was more taking it from the film itself. I didn't really need to go outside the piece itself to inform me because the perspective on it, what the character does, was provided by the script.

Anything where there's great enthusiasm, and a place to come share what you think is cool.

'Speed' and 'Point Break' were a lot of running and jumping, and then 'The Matrix Trilogy' had a lot of fights and wire work and green screen elements.

Eventually, it came to this place like, "I'd like to direct, but I need to find the story to tell." Man of Tai Chi became the story to tell.

It's hard to act in the morning. The muse isn't even awake.

I was hopeless at high school - I failed everything but Latin.

I hope I don't become just an animation [with a digital film].

It carried quite a wallop. I have all the classic symptoms. Reflection. Where am I now? Where have I come from? What's important? Dealing with the moment of a different kind of feeling for mortality. Shifting of the body. Contextualizing or reevaluating behaviors and values. All those kinds of things.

The blues have always had some of the best times, best feelings I’ve ever had.

Performing an exorcism was like changing your oil. It's a drag, but necessary.