I enjoy writing songs that could have been written before [my time]. When I feel like I'm tapping into a deep vein in the body of American music, it gives me strength as a writer, like I'm dipping my pen into a deep ink well. That's the folk music tradition. Like Pete Seeger said, 'Everyone's a link in the chain.' It's a strong chain, so rely on it. ... I believe it takes all those great songs in the past to make your song even a little bit good.
I think it is good for people who are incarcerated or who are bound up one way or the other-people like Lily Kimball and all the prostitues of Memphis. This gal, she needs some wings, and a good song can make that happen.
It’s bound to be one hell of a steel wheelin, railroadin good time…while the western country rolls by and the smoke rises blacker than musical notes pouring out of that stoked-up-and-chuggin iron chariot.
It seems like everyone's listening to fiddles and banjos.
Because music gets you high, so it makes sense to sing about what else gets you high.
I guess it's a bit like not claiming your brother at school. This kind of disowning of the thing that you're most like. You want to be something cool, like Michael Jackson say, with a boom box over your shoulder and wearing leather. But you know deep down you're just a hayseed.
It's not very long ago that we were all singing country music. And country music is equally black as it is white and that's important to recognize.
It's true that bluegrass is a virtuosic form and asks that of its performer. Old-time music is older rawer and purer. It's less stylized. We don't solo. Well sometimes we do, but it's different it has more to do with rock-and-roll than bluegrass does.
This indie rock stuff, I mean I like it, too - it pushes all my buttons: sex appeal, dissonance. It's emotive, disenchanted.
Sometimes our significant others travel with us.
I think country music is a champion of women. That stuff coming out of Nashville now wants to see a woman looking good in the kitchen whipping up some biscuits.
We never had a girl in the band. Why? Certainly there's some rippin' female players in our kind of music. We have no objection to it. It'd be wonderful.
Like anybody else of my era, I listened to a whole lot of Michael Jackson. I guess I was probably inspired by the way he danced, and the way he sang, and his image.
Y'all drinking whiskey is probably a gregarious act. When you're not an alcoholic it's pretty fun to drink whiskey. But when you are it's a very solo ritual. It's not gregarious at all. But vice has always informed country music and all music.
We weren't straight-A students. We didn't start playing until we were teenagers, and we started playing rock and roll and punk rock - power chords - before we ever thought we would play folk music. So virtuosity was just never in my reach.
Country music is the combination of African and European folk songs coming together and doing a little waltz right here in the American south. They came together at some cotillion, and somebody snuck a black person into the room, and he danced with a white lady, and music was born.
I heard Pete Seeger records when I was a kid. I saw Bob Dylan when I was about 12. The first song I ever learned to play was a song by Phil Ochs.
I didn't grow up on the porch of a cabin looking out over the 90 acres that the mule was plowing with Paw-Paw playing the banjo. But I was always interested in folk music.
Country music has been empowering to women. Women invented it - it was women singing to their children that built country music. The people making country music today might not even know that it all started with a midwife. But it's true, it really did. That's where Michael learned to shake it the way he did. It wasn't from old Papa Jackson, I'll tell you that.