I don't think theater is dying, and musicals are a great American art form. We've got apple pie, jazz and musical theater.
Do I want to write a musical? No. I like to do musicals.
Some people have jobs where other people don’t clap for them. I don’t understand that.
I do think that there is an almost more old fashioned mentality to the way musical theatre people and actresses especially are treated.
I was always a little adult. Even as a little kid, I just couldn't understand why I was surrounded by all these kids. I took things very seriously.
For me, Twitter has given me a direct line to the world - it gave me an opportunity to be like, "This is my voice.
Just because you're a belter doesn't make you funny; it just means that's how your pipes are set up.
I did a lot of lying. I went through a big lying phase when I was in like third and fourth grade. I told all my friends I was in Les Misérables, and I was not. I also told them I was an Indian princess. Also not an Indian princess.
That was my intention, was to have it be from the perspective of my high-school-aged self, and to try and emulate the music that I listened to at that time. So to write essentially like a pop-punk song about musicals. I wanted the dichotomy of the tone of the music with the lyrics and my singing voice.
My parents took me to see Stevie Wonder when I was about 3, but my mom made us leave because everybody around us was smoking pot.
I'm not a big weird eater-of-things. I mean honestly I would say like for me, like escargot or sweetbreads is the weirdest thing I've eaten. But I haven't eaten like bugs or... not that I know of.
I think being young in a grownup world, I think it stunted me a little bit. I had to grow up too fast on the outside, but I didn't get to grow up on the inside in the way that you might if you're allowed to fail more.
I really do love the Muppets. My sister used to call them the Muffets. She'd be like, "Can we watch the Muffets?" So anything that reminds me of how adorable my sister was, I'm a big fan of.
I'm such a goody two-shoes, I've never stolen a single thing. I would not be able to handle it. I would not be able to live with the guilt of having stolen something.
I'm such a goody two-shoes, I don't even taste the fruit at the grocery store. Like oh, are these grapes good? I can't even do that. I'm that much of a rule-follower.
I've met a lot of famous people that I just thought were so unbelievable. For me, meeting Julie Andrews was probably the highlight of my life.
I've always wanted to go to Austria.
I find human behavior to be fascinating, which is probably why I'm an actor, and I think that there are a lot of dangerous misconceptions about mental illness in our society, and I would like to be a part of remedying that - particularly the stigma that surrounds so many mental illnesses.
I finally stopped complaining about 'Why isn't everybody else making me what I want to be?' You can't rely solely on your agent or your managers to educate people as to who you are.
I don't like the word "brand." When I see people creating a brand, it feels disingenuous.
I'm 35 but because I've been acting professionally playing women since I was eighteen years old - I never played a teenager - people constantly think I'm like ten years older than I am, which is a little hard on my ego.
What's the worst, is when people clearly haven't researched you. One time an interviewer asked me if I do a lot of plays. I'm like, yeah. Have you Googled me? There's this thing called Google, and you can ask Google that question. Then you could come to me with informed questions that didn't make me feel like I am brand new to the world.
My favorite show tune has got to be Stephen Sondheim's "I Remember Sky." It's probably the saddest song of all time I sing it to myself in the mirror. No, I am kidding. That's the joke.
There's an infantilization that happens to actresses in general - musical theatre, straight theatre, television, film - we're spoken to like children. Actors are spoken to like children a lot of the time.
Everything has become so pop-rock oriented that finding a role for a soprano, and finding an audience for a soprano, is tricky. Unless you're dealing with a revival, which is why I do so many revivals - because my specific tone and vocal quality lends itself to that type of writing.